Viking Age Gold Twisted Bracelet

Composed of an openwork discoid body with integral T-shaped tubular loop; raised gusseted rim enclosing a pair of S-shaped beasts with billetted bodies and comma-shaped tails, enmeshed gripping paws clutching the rim and their own bodies. 12.4 grams, 43 mm



Acquired on the European art market in the 1990s. Ex property of a German gentleman.

Despite the long period of overlap of Borre and Jellinge art styles, there are only few examples of their fusion. The principal and most popular motif of the Borre style displays an animal with gripping paws, usually enmeshed in a circular frame, while a typical Jellinge style beast is more slender with long, S-shaped body and ribbon decoration. The most famous example of a pendant featuring a fusion of these styles was found in a hoard from Vårby (Sweden), formed as a circle with a pair of Jellinge-style beasts with ribbon-shaped bodies in profile and heads with open jaws and extended tongues; however, each is provided with gripping paws and an enmeshed body, which are typical features of the Borre style. A few examples of these pendants were also found near the important trading settlement of Gnezdovo, near Smolensk, Russia.

Comprising: two examples of a long and narrow tongue-shaped type (Paulsen's Gruppe V 2A, Untergruppe C) with scooped upper edge and palmette motif to the centre, a vertical band of reserved stylised ring-chain decoration on a pounced field, long lateral straps and a knop finial (one with an upper arm absent); a subtriangular type (Paulsen's Gruppe I 2, Untergruppe C) with central openwork panel displaying a bird in flight with the fan-shaped tail marked with radiating lines, trilinear bands to the outer sides, upper edges angled and with a lozengiform 'knot' at the apex; a long and rounded tongue-shaped type (Paulsen's Gruppe I 1) with an openwork centre and Ringerike Style bird formed with looped bands, pellets to the pinions, a triangular in plan head joined to the inner faces of the ropework border forming the upper edge of the chape, with a wolf's head at the apex and stepped knop finial (one face damaged); a single plate from a chape of the same type (Gruppe I 1) with a rounded lower edge and the apex absent. 158 grams total, 59-75 mm



From the collection of a North American gentleman, formed in the 1990s.

The slender, tongue-shaped elongated form (Gruppe V2A, Untergruppe C) is regarded by Paulsen (p.118) as Latvian in origin ("Lettland") and 11th century in date. The broader openwork form (Gruppe I 2, Untergruppe C) is associated with the Baltic island of Gotland, which was a major entrepot in the trade network connecting Sweden with the eastern Baltic and the riverine passage south to the Mediterranean; a 10th century date is preferred for this type. The long openwork form (Gruppe I 1) is Scandinavian in origin and appears first in the 10th century; Paulsen's figure 6 from Oland, Sweden, is a close match to the complete example included here.

With convex outer face and tapering arms, stamp decorated with triangles and lozenges. 105 grams, 75 mm



From the collection of a North American gentleman, formed in the 1990s.

Similar bracelets were found usually in female graves in the Hemlanden cemetery in Birka. Sometimes they were found in pairs, sometimes worn only on the right arm. Their main characteristic was the geometric decoration engraved on the surface