Viking Age Bronze Pendant with Cross and Flower

With segmented teeth to the edges of the lentoid plaque; ring-and-dot detailing; rumbler bell to the lower edge. 24.4 grams, 62 mm



From the collection of a North American gentleman, formed in the 1990s.

Lozengiform bezel with stud to each angle, incised hatched design. 2.04 grams, 22.78 mm overall, 19.47 mm internal diameter (approximate size British S 1/2, USA 9 1/4, Europe 20.63, Japan 19)



Acquired on the UK art market. Ex private Merseyside, UK, collection.

With integral loop; the openwork plaque with banded border and four panels, internal stylised zoomorph with hatched panel to the hip, gripping three-fingered hands to the body and border, two detailed feet, clearly visible facing mask below the loop with pellet eyes. 8.44 grams, 35 mm



From the collection of a North American gentleman, formed in the 1990s.

There is a class of discoid pendants with banded borders and contorted figures found in the hinterland of the Baltic region, associated with the influence of Scandinavian settlers. The design of these items recalls specific elements of Scandinavian art - for example, the 'gripping hands' motif is a feature of the Oseberg Style named after the famous Norwegian ship-burial. Oseberg Style is associated with the beginnings of the Viking age, and was current in the 9th century when Scandinavian settlers began to establish centres of trade and political control in the area of the rivers Dnieper and Volga. The motif has been interpreted as a horse and linked with various legends and mythic figures.