Viking Age Bronze Coiled Ring Group

A group of flat-section Mordvinian type brooches, decorated to the trapezoidal plates with raised pellets, reserved scroll tendrils, hatching and other ornament. 91 grams total, 52-57 mm



Acquired on the European art market since the early 2000s. From the private Northern Ireland collection of R.M.

This type of brooch belongs to the typologies of the omega brooches. It was probably used by Ugro-Finnic people to fasten the shirt at the neck or to attach other lighter garments. These brooches evolved to become very elaborate, with dangling springs from the edges, and were often worn in pairs, particularly on female garments. In this late Viking period their coins demonstrated Russian and Eastern Roman influences in their art and jewellery.

Cruciform with series of annular glass and other beads to each arm, central boss, suspension loop with oblate bead dangle. 5.7 grams, 64 mm



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK.

Openwork bronze bifacial handle formed as a central facing male bust flanked by two oppose birds of prey with beaks placed beside his head; pierced lug between; below, row of discs above a transverse bar with long socket to the underside. 27.3 grams, 57 mm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12435-225923.

The image of Óðinn (Odin) with his ravens Huginn and Muninn appears widely in the Viking world, and is mentioned in the Icelandic poem collection Poetic Edda and elsewhere. The two birds fly around the world collecting news and then report it to the god in the evening. He says that he fears the ravens may not return from their flight: since their names mean 'thought' and 'memory', the meaning of the verse is that the god is anxious about the loss of these faculties.