Viking Age Bronze Animal Head Pendant

Comprising: a small and narrow type (Paulsen's Gruppe I 2, Untergruppe d) with an openwork panel to each face filled by a cross-shaped motif with curved cross-bar, and a dentilled upper edge to the mouth; a tongue-shaped type (Paulsen's Gruppe I 1) with an openwork centre and Ringerike style bird formed with looped bands, pellets to the pinions, a triangular in plan head joined to the inner faces of the ropework border forming the upper edge of the chape, with a wolf's head at the apex and stepped knop finial (apex and lower end of the chape damaged); two of the same type (Gruppe I 1) with a pair of scrolls in the central void and a 'knot' to the apex', one with ropework detailing and a wolf's head; a broad D-shaped plaque with a plain reverse plate riveted in place, guilloche band to the outer edge and interlaced vines to the centre. 118 grams total, 46-75 mm



From the collection of a North American gentleman, formed in the 1990s.

The chape with the dentilled upper edge bears a cross motif on which only the curvature of the cross-piece indicates its origin in the raven/eagle figure found more commonly on this type; as its ornament has developed a long way from its original form, it should be dated to the 11 or 12th century. The D-shaped plaque with the plain reverse is not in Paulsen's typology but appears to be derived from the smaller types in his Gruppe VII.

Scandinavian pendant of Norelund type with integral suspension loop; the openwork plaque with three-band border and four panels, internal stylised zoomorph with hatched panel to the hip, gripping hands to the body and border, facing mask below the loop. 6.22 grams, 34 mm



Acquired on the German art market before 2000. From an old Munich collection.

There is a class of discoid pendants with banded borders and contorted figures found in the hinterland of the Baltic region, associated with the influence of Scandinavian settlers. The design of these items recalls specific elements of Scandinavian art - for example, the 'gripping hands' motif is a feature of the Oseberg Style named after the famous Norwegian ship-burial. Oseberg Style is associated with the beginnings of the Viking age, and was current in the 9th century when Scandinavian settlers began to establish centres of trade and political control in the area of the rivers Dnieper and Volga. The motif has been interpreted as a horse and linked with various legends and mythic figures, including Sigurð's fight with the dragon Fafnir.

Formed using an Abbasid Caliphate dinar coin with ridged suspension loop attached. 4.43 grams, 22 mm



Acquired in the late 1970s and 1980s. Ex property of a London gentleman.

Such Islamic coins were traded across the Viking world and have been discovered as grave goods or in hoards (as coins and as jewellery items) in Scandinavia and the Baltic area.