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LOT 2043
Victorian Lava Cameo Collection
19TH CENTURY A.D.
1 1/8 in. (14.3 grams total, 29 mm each).
Comprising: a profile bust of a mature bearded man, possibly depicting a philosopher; a profile bust of a youthful woman with dressed hair. [2, No Reserve]
ProvenanceAcquired on the European art market.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 2043
Victorian Lava Cameo Collection
Estimate £50 - 70€58 - 81 (for guidance only)$68 - 95 (for guidance only)
Opening Bid
£5 (EUR 6; USD 7) +BP*
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Silver-Mounted Shell Travelling Mirror
Dutch Colonies, 17th century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Discoid mirror set in a silver frame and a polished shell case, secured with a silver flower-and-scroll mount and a small hook. 56.2 grams, 86 mm
Private collection, Europe. Acquired on the English art market. -
Wooden Sculpture of Saint Francis of Assisi in Silver Pendant
Spanish Colonies, 17th-18th century A.D.Estimate: £350 - 450 (+bp*)
Opening Bid: £175
A carved wooden figure of Saint Francis of Assisi holding a skull in his left hand and a cross in his right hand, set on a red fabric inside a silver tongue-shaped case with applied twisted wire decoration to the outer rim; attachment loop with ring to the top. 48.1 grams, 11 cm
Private collection, Europe. Acquired on the French art market. -
Renaissance Gold Fob Seal with Carnelian Gemstone of a Herm and Figures
16th-19th century A.D.Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
An oval intaglio finely engraved with a classical scene, at the centre a herm upon a plinth, flanked by two figures: the woman on the left wearing a gown with loose drapery falling across her arms, while the figure to the right is shown nude, the body scarcely veiled by a fine transparent cloth; at the far right a sacrificial altar surmounted by a lyre, introducing a musical or poetic dimension to the scene and emphasising its votive character; mounted in an ornate 18th-century French gold fob mount, pierced with scrolling foliate ornament and stamped with duty marks; supplied with a museum-quality impression. 6.60 grams, 25 mm
Acquired on the European art market.
The gem, cut in the 16th century, reflects the Renaissance revival of antique glyptic art, where Roman prototypes were carefully studied and reinterpreted with elegance and precision. The finely executed incision and harmonious arrangement of clothed and unclothed figures highlight the engraver’s technical mastery and antiquarian erudition.