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Details
LOT 0433
Very Large Thai Gilt Bronze Buddha Shakyamuni
19TH-20TH CENTURY A.D.
37 3/8 in. (99.5 kg, 95 cm high).
A large gilt bronze Shakyamuni Buddha figure seated cross-legged in virasana on a semi-circular lotus flower dais, right hand in bhumisparsha mudra, the left resting on his lap, wearing a samghati adorned with floral motifs, his face with a meditative expression and with downcast eyes below arched eyebrows, aquiline nose, gentle smile, elongated earlobes, the hair in tight curls surmounted by a flame.
Provenance
French collection, 1960s-early 2000s.
From an important Paris gallery, France.
with Ogotai (?) Auctions, Paris, France, 22 January 2016, lot 2.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11714-199350.
Footnotes
The historical Buddha, Shakyamuni Buddha, (born Prince Siddhartha Gautama) was the founder of the Buddhist religion; he lived and taught in 6th century India. Born to a royal or aristocratic family of the Shakya kingdom, at age 29 he learned of the deep suffering experience by the people of his land, causing him to relinquish his title and palace home and after six years of study, self-sacrifice and meditation, became an enlightened Buddha.
Here, Buddha is shown seated in a yogic meditative posture, his right hand gesturing towards the Earth Goddess at the moment prior to his enlightenment. He displays many of the lakshanas, or auspicious marks of Buddhahood- the extended earlobes remind the viewer of his former princely status; three rings around the neck; urna formed from a curl of hair.
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LOT 0433
Very Large Thai Gilt Bronze Buddha Shakyamuni
Estimate £10,000 - 14,000€11,600 - 16,240 (for guidance only)$13,500 - 18,900 (for guidance only)
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Gandhara was a principal gateway through which Buddhism spread to China. Academic research conducted after the death of Nik Douglas (above) explains that Gandharan sculpture has been found in neighbouring regions, such as in Uddiyana. Sculpture from the Gandharan and Uddiyana regions has similar characteristics and as a result has often remained undifferentiated. As a result of this recent research however, it is becoming more feasible to identify distinctions between the sculpture of these different regions.
