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LOT 0015
Very Large Egyptian Wooden Head of Osiris
30TH DYNASTY-PTOLEMAIC PERIOD, 380-30 B.C.
20 3/4 in. (3.62 kg total, 52.5 cm high including stand).
Carved in the round head with plaster prepared surface; with integral Atef crown ornamented with lateral bronze ostrich plumes and uraeus to the brow; carved facial detailing with broad nose and small mouth; applied bronze braided beard with scrolled tip; ears pierced to accept earrings; mounted on a custom-made stand.
ProvenanceAcquired by the family from an antiquities dealer in Egypt, October 1982.
Ex Dunkirk Manor, Theescombe, Stroud.
Mr F.D. collection, acquired from the above.
Accompanied by an academic report by Egyptologist Paul Whelan.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12513-231999.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. similar head in the Brooklyn Museum under accession no.58.94, lacking the bronze fittings; another in the Metropolitan Museum of Art under accession no. 1972.118.195, in dense stone (greywacke) and lacking the lateral feather ornaments; cf. Bonhams, 25 April 2012, no.121, for similar.
FootnotesThis head likely originates from a large-scale standing figure of the underworld god Osiris. In contrast to the ubiquitous small bronze Osiris figurines found at cult sites throughout Egypt – which were left by pilgrims as votive offerings – large-scale wooden statues are much rarer. Their scarcity is partly due to the fragile nature of wood, which made such statues more susceptible to decay over time, but also because these larger figures were used in more specialised and exclusive ritual contexts. This is evidenced by the significant discovery of a large wooden Osiris statue in a cache of votive objects at Saqqara, associated with a temple shrine. The find suggests that the sizeable image of Osiris played an important role in religious ceremonies in the temple, where it presumably served as the focus of veneration. The Saqqara cache dates no later than the reign of Nectanebo II (360-343 B.C.), whose temple pavement covered it. However, the exact dating of the wooden statue is less certain, with estimates ranging from the New Kingdom to the 26th Dynasty.
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Romano-Egyptian Terracotta Figurine with Large Phallus and Apotropaic Eye
1st century B.C.-2nd century A.D.Estimate: £300 - 400 (‡+bp*)
Opening Bid: £135
Representing a slave or a dwarf in a crouched position, dressed in a short tunic leaving the left shoulder uncovered (exomis), a large curving phallus emerging from underneath the tunic topped with a large apotropaic eye; accompanied by a display stand. 64 grams, 81 mm (80 grams total, 10 cm high including stand)
The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Except for the enormous phallus, the figure is human in all aspects. The apotropaic aspect, symbolised also by the eye, is combined with the erotic. It should be pointed out that according to the physiognomic conceptions held in the ancient world, from the 4th century B.C. onwards, small-scale sculptures developed a rich repertoire of grotesque types. These so-called grotesques were a development of the Hellenistic interest in the human body and its imperfections. They range from representations of individuals with clinically diagnosable disfigurements to those with exaggerated physical features. According to some scholars, terracotta (and bronze) figurines of this kind were life-like representations of beggars and others who gathered at big feasts in temples or at the houses of the wealthy. In the latter case, they indicated the importance and wealth of the host because the more beggars an event attracted, the greater the fortune of the event organizer. By implication, the bronze and terracotta portraits of these marginal people could have become symbols and charms of good luck that would have been placed in private houses. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind. -
Egyptian Pink Quartz Scarab
Late Period, 664-332 B.C.Estimate: £350 - 450 (+bp*)
Opening Bid: £175
Carved with deep sides and carapace detailing to the upper face, pierced. 19.82 grams, 33 mm
From the private collection of the late Mrs Belinda Ellison, a long time member of the Egyptian Exploration Society, c.1940-2020. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Egyptian Terracotta Ithyphallic Figurine of a Seated Male
Ptolemaic Period, 2nd-1st century B.C.Sold for (Inc. bp): £143
Representing a hunchback in a crouched position, leaning against his emphasised phallus and resting a triangular harp on it. 64 grams, 63 mm
The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
From the 4th century B.C. onwards, small-scale sculptures developed into a rich repertoire of grotesque types. These so-called grotesques were an enhancement of the Hellenistic interest in the human body and its weakness and imperfections by depicting disfigured individuals. According to some scholars, terracotta (and bronze) figurines of this kind were life-like representations of beggars and others who gathered at big feasts in temples or at the houses of the wealthy. In the latter case, they indicated the importance and wealth of the host as the more beggars an event attracted, the greater the fortune of the event organiser. By implication, the bronze and terracotta portraits of these marginal people could have become symbols and charms of good luck that would have been placed in private houses. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.