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LOT 0351
Tudor Period Stained Glass Panel with Head of Magus
FRANCE, CIRCA 1510 A.D.
8 1/2 in. (201 grams, 21.5 cm).
Two irregular panels joined in a lead frame, head of a Magus from the Nativity story; bearded with gold crown above the turban. [No Reserve]
ProvenanceEuropean collection, 19th century, by descent.
with Christie's, London, 15 December 1998, no.70.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12549-230643.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Exhibited at the Harwich Museum, Harwich, Essex, UK, 21st January-10th March 2025; accompanied by a copy of a photograph of the artefacts on display.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Russian Icon with Mother of God and Christ
Early 19th century A.D.Sold for (Inc. bp): £312
Representing the Hodegetria, with Mary indicating towards Jesus with her right hand, holding him with her left hand; on the right, a small image of Saint Tekla with veiled head and a long tunica talaris, holding a holy book; the cover set with pearls and semi-precious stones; dedicatory inscription plate in Cyrillic; inscriptions in Greek on the wooden background 'ΜΡ ΘΥ' for 'Mother of God', 'IC XC' for 'Jesus Christ'; over the small image of Saint Tekla Greek inscription 'Ο AΓIA TEKLA'; tempera on wood. 650 grams, 23 x 19.5 cm
Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The icon, probably Greek in origin and later covered with beat work in Russia, shows the Virgin in the attitude of Mother of Consolation, or in that of Hodegetria. This is the iconographical type of Virgin Mary one encounters most frequently in an Eastern Orthodox church or home, Hodegetria meaning 'Mother of God Pointing the Way'. The Virgin Mary is shown with the Christ on her lap, her eyes looking at the viewer and her right hand indicating Christ, seeming to say 'Follow Him'. Later icons of the Hodegetria were adorned with gilt-silver covers and jewels like this one. -
Enamelled Iron Articulated 'Hangman' Skeleton
Circa 1840 A.D.Sold for (Inc. bp): £780
Anatomically correct skeleton with articulated knees, hip joints, shoulders, elbows and wrists, the head formed of three pieces, the mouth slightly open; hanging from a later wooden gallows. 820 grams, 42 cm total
Property of a County Durham collector; acquired on the UK art market. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Roman Style Silver Statuette of a Magistrate
20th century A.D. or earlierSold for (Inc. bp): £26
Standing erect with left hand extended gripping a scroll; wearing a full toga fastened at the waist and draped over the body; the head with short hair in the Julian style and a laurel wreath to the brow; after the antique; mounted on a custom-made display stand. 98 grams total, 93 mm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The statuette represents a city magistrate clad in a toga, the most famous 'official' civil dress of the Roman period between the first century B.C. and the first century A.D. The fully developed toga of Consular and Imperial Rome was shaped as a segment of a circle and about 18 and a half feet long by seven feet wide at its centre. It was decorated at times by a purple or red stripe along the straight edge. The type of garment of our statuette is similar to the one seen on the statue of Emperor Titus at the Vatican Museum.