Tudor Period Silver Ring with Facetted Glass Gem

Comprising a painted board with mounting panel and slots to the reverse, gessoed surface with painting of St John the Baptist standing nimbate with wings spread behind him, left hand supporting a bowl containing his severed head and holding an unfurled scroll with Cyrillic text 'Repent ye, for the Kingdom of Heaven is at hand,' (Matthew 3:2); right hand raised in blessing; landscape with sand-dunes and trees; gilded title above; the upper border with gilt Slavonic inscription reading 'Holy John the Forerunner'; from the Palekh Icon School, probably made in Mstera circa 1890. 1.02 kg, 31 cm high

Fine condition.

Ex property of a London lady, part of her family's collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no.11546-196366.

The Palekh icon school emerged in the 17th century, inspired by the Moscow and Suzdal traditions of icon painting. Although preserving many features of traditional Russian iconography, the school created its own style that remained active into the 18th century. The hallmarks of the school include the frequent use of gold on the clothes of the saints and a rich palette. Bodies are shown as tall and slender and abrupt transitions between light and shadow are distinctive features of Palekh icons. The wings of Saint John derive from the double meaning of the Greek word used to describe him in Mark 1:2 - Angelos, meaning both messenger and angel. John is often called a 'Heavenly Man' and 'Earthly Angel' in Orthodoxy. At his feet is shown a small tree with an axe cutting into it, illustrating Luke 3:9, 'And now also the axe is laid unto the root of the tree...'

Barrel-shaped hoop with scrolled panels to the outer face; inner face with legend in two tiered lines of seriffed capitals 'BE x TRV x TIL x DEATHE x AND x SO // SHAL x I' with final curlicue. 5.23 grams, 20.70 mm overall, 18.11 mm internal diameter (approximate size British O 1/2, USA 7 1/4, Europe 15.61, Japan 15)



Found whilst searching with a metal detector in a garden in Burton Agnes, East Riding of Yorkshire, UK, on 8th January 2023, by Christopher Watson. Declared as treasure and disclaimed by the crown with Treasure reference no.2023 T41. Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report no.YORYM-7CD0D7. Accompanied by a copy of the report for H M Coroner no.2023 T41. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12442-225797.

The legend 'Be true til death and so shall I' is not recorded in that form in Evans's corpus (now nearly a century old), but variants such as 'Be true to me as I to thee' or Be true in heart till death depart' carry a similar sentiment.

Painted on a wooden board with mounting slots and panels to the reverse, gessoed surface with painting of the Virgin of Kazan, head of Mary with gilded nimbus and russet-coloured veil, standing infant Jesus similarly nimbate with right hand raised in the pax gesture; gilt monograms to the upper corners and title to the lower left corner. 968 grams, 31 cm high

Fine condition.

Ex property of a London lady, part of her family's collection.

The original icon, also known as the Theotokos of Kazan, is thought to have originated in Constantinople in the 13th century before it was taken to Russia. When the Turks took over Kazan in 1438, the icon was most probably hidden to keep it safe. Ivan the Terrible liberated Kazan in 1552, and the town was destroyed by fire in 1579, after which the icon was found and brought to the Church of Saint Nicholas. It was subsequently stolen in 1904 and never found again, though there are many copies in existence.