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LOT 1502
Tudor Period Ring with Intaglio
16TH-17TH CENTURY A.D.
3/4 in. (2.72 grams, 21.50 mm overall, 19.47 mm internal diameter (approximate size British N 1/2, USA 6 3/4, Europe 14.35, Japan 13)).
A copper-alloy ring composed of a slender hoop supporting an octagonal bezel, set with a blue glass intaglio displaying an enigmatic, possibly pseudo-armorial design. [No Reserve]
ProvenanceAcquired 1990s.
English private collection.
Property of an Essex gentleman.
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AUCTIONS:
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Bactrian Style Lapis Lazuli Bead Necklace
20th century A.D.Sold for (Inc. bp): £59
A bead necklace composed of graduated lapis lazuli beads of various types, including tubular, biconical, oblate and other types. 143 grams, 48 cm long
Acquired 1980-2015. Ex Abelita family collection. -
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Post Medieval Large Tile with Virgin and Child Scene
19th-20th century A.D.Sold for (Inc. bp): £1,170
A large rectangular ceramic tile displaying a scene with the Virgin and Child flanked by musicians over a winged putti head, winged putti flanking a wreath containing an armorial shield below; egg-and-dart border. 14.9 kg, 66 cm high
English private collection. -
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Post Byzantine Triptych Centre Icon of the Intercession
17th-19th century A.D.Sold for (Inc. bp): £44
A central plaque from a brass triptych with standing nimbate Mother of God, dressed in a chlamys and tunica talaris, with her arms extended outward and the head turned to the right, surrounded by two groups of worshippers, arranged in three rows: the angels at the top, the right ones at the centre and prophets with angels at the bottom; two flags flying horizontally on each side of her head, surrounded by plant decorations, while the sun and moon are depicted at the two corners of the plaque, separated by an inscription in Russian; in the upper part, in the shape of an eastern dome, is represented the Holy Trinity, Father and Son, seated on a throne of clouds, a cross in the middle surmounted by a dove. 142 grams, 13 cm high
Fair condition.
Acquired on the UK art market, 2000s. Property of an Essex gentleman.
The icon represents the Intercession of Mary, 'Joy of all who sorrow'. It formed the central part of a triptych with the Mother of God at the centre, surmounted by iconography of veneration. The (here missing) other parts of the triptych were embossed with scenes of the lives of Christ or Mary.
