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LOT 1510
Tudor Period Ring with Cabochons
16TH CENTURY A.D.
1 in. (5.24 grams, 26.96 mm overall, 20.46 mm internal diameter (approximate size British U, USA 10, Europe 22.52, Japan 21)).
A copper-alloy finger ring with slightly convex hoop with a raised knop at the bottom, ellipsoidal bezel with ring-and-dot motifs to the perimeter and a blue and red glass cabochon on a raised central platform. [No Reserve]
ProvenancePrivate collection formed since the 1940s.
UK art market.
Property of an Essex gentleman.
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AUCTIONS:
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South American Silver Spoon Pin with Birds
18th-20th century A.D.Sold for (Inc. bp): £143
A large silver spoon composed of an ovoid bowl, rectangular neck with tapering upper sides and tapering round-section stem, the neck decorated with geometric and foliate motifs, flanked by a peacock on both sides with wing and tail feather detailing; repaired. 67 grams, 27 cm long
Acquired in 1988. UK private collection. -
Post Medieval Ring with Bow and Arrow
1226 h. (1811 A.D.)Sold for (Inc. bp): £26
A copper-alloy ring composed of a broad hoop with slightly convex outer face, large oval-shaped bezel engraved with an archer's bow with nocked arrow, separating the numbers '12 / 26' and aimed towards the letters 'KΛTΛ'. 8.88 grams, 24.70 mm overall, 21.66 mm internal diameter (approximate size British V 1/2, USA 10 3/4, Europe 24.4, Japan 23)
Private collection formed since the 1940s. UK art market. Property of an Essex gentleman. -
Marble Bathing Venus
Neoclassical, 19th century A.D.Sold for (Inc. bp): £1,235
A marble interpretation of the famous 'Bathing Venus' (Pudica Venus) statue, modelled naturalistically in the round, nude, hair piled behind her head, holding her garment to her breast, standing on a composite discoid base imitating a stone pavement, with a casket at her feet; after Giambologna's Renaissance original; restored. 21.2 kg, 78 cm high
Old repair to neck.
French collection, 1960s-early 2000s. From an important Paris gallery, France.
The original 'Bathing Venus' statue in bronze has been attributed to Giambologna (Giovanni da Bologna) (1529-1608), and was probably created for King Henry IV of France as a diplomatic gift from Ferdinando I de’ Medici, Grand Duke of Tuscany. This is a neoclassical interpretation of that Renaissance statue.