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LOT 2134
Tudor Period Bronze Hook Fastener Group
CIRCA 16TH CENTURY A.D.
1 3/8 - 1 1/2 in. (7.52 grams total, 34-39 mm).
Comprising: an openwork fastener with a cross motif; a fastener with a Tudor rose; an openwork fastener with a six-petalled flower. [3, No Reserve]
ProvenanceFrom the private collection of Graham Slater (1927-2024), Cambridge, UK; formed 1980s-1990s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Massive Stuart Period Bronze Buckle
Continental Europe, 17th century A.D.Sold for (Inc. bp): £117
Pointed outer edge on a rounded loop, bifid knop on either end of the strap bar, surface decorated with stylised vegetal ornaments. 253 grams, 95 mm
Private collection, UK.
These buckles usually have one rectangular and one rounded D-shaped loop on either side of the central bar. During the late 16th and 17th centuries, the range of asymmetrical buckles became wide. -
Bactrian Style Lapis Lazuli Bead Necklace String
20th century A.D.Sold for (Inc. bp): £72
Composed of coin-shaped and tubular beads interspersed with metal spacers, restrung. 31.7 grams, 47.5 cm
Acquired in the 1990s-early 2000s. Ex London, UK, collection. -
Renaissance Gold Fob Seal with Carnelian Gemstone of a Herm and Figures
16th-19th century A.D.Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
An oval intaglio finely engraved with a classical scene, at the centre a herm upon a plinth, flanked by two figures: the woman on the left wearing a gown with loose drapery falling across her arms, while the figure to the right is shown nude, the body scarcely veiled by a fine transparent cloth; at the far right a sacrificial altar surmounted by a lyre, introducing a musical or poetic dimension to the scene and emphasising its votive character; mounted in an ornate 18th-century French gold fob mount, pierced with scrolling foliate ornament and stamped with duty marks; supplied with a museum-quality impression. 6.60 grams, 25 mm
Acquired on the European art market.
The gem, cut in the 16th century, reflects the Renaissance revival of antique glyptic art, where Roman prototypes were carefully studied and reinterpreted with elegance and precision. The finely executed incision and harmonious arrangement of clothed and unclothed figures highlight the engraver’s technical mastery and antiquarian erudition.