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LOT 0340
'The Hursley' Tudor Gold 'Hope Is Mi Holde Till Hap Shall Helpe' Buckle Posy Ring
CIRCA 16TH CENTURY A.D.
3/4 in. (2.76 grams, 19.17 mm overall, 16.63 mm internal diameter (approximate size British M, USA 6 1/4, Europe 12.34, Japan 12)).
A gold posy ring with rectangular-section hoop in the form of a buckled belt with looped end tie and chape with double-bowed and pinned buckle, the outer face inscribed '+HOPE * IS * MI HOLDE' in Roman capitals, continuing 'TILL * HAP * SHALL * HELPE' around the interior; accompanied by a vintage ring box.
ProvenanceFound whilst searching with a metal detector near Hursley, Hampshire, UK, on Sunday 26th August 2012.
Acquired from Berganza, Hatton Garden, London, 2017.
Property of an East Sussex collector.
Disclaimed under the Treasure Act with reference no.2012 T805.
Accompanied by a copy of the British Museum's Portable Antiquities Scheme report no.HAMP-62C152.
Accompanied by a copy of the Berganza invoice.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11667-197581.
Cf. The British Museum's Portable Antiquities Scheme, record id. GLO-244613 and Treasure Act, reference 2009 T135, for similar; cf. The V&A Museum, accession number M.225-1962, for a similar type dated 1400-1500 A.D.
FootnotesThe inscription is somewhat enigmatic and does not seem to have been previously recorded for a posy ring; the form of the buckle and the knopped chape are typical of examples seen, often in base metal, from the late medieval period to the 16th century A.D. The name of this genre of ring is derived from the 'poesy' or motto usually engraved around the hoop. In medieval examples the posy is mostly engraved around the outside of the hoop but later examples find it on the inner surface. Rings with amatory inscriptions have their origins in the 14th century A.D., when they served as love gifts, betrothal and wedding rings, as attested by surviving documentary evidence. Posy rings were also given to friends or used to mark significant occasions.
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LOT 0340
'The Hursley' Tudor Gold 'Hope Is Mi Holde Till Hap Shall Helpe' Buckle Posy Ring
Estimate £15,000 - 20,000€17,400 - 23,200 (for guidance only)$20,250 - 27,000 (for guidance only)
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Ancient Style Object Group
20th century A.D.Sold for (Inc. bp): £20
A mixed group of archaistic items including a figure of Bastet, a nude female lying supine, a lapis lazuli stamp seal and other items. 199 grams total, 7-52 mm
Acquired 1990s. Ex French collection. -
Large French Armorial Seal Matrix for Jean du Buisson
Dated 1617 A.D.Sold for (Inc. bp): £676
A bronze discoid seal matrix with hinged flap to the reverse pierced near the edge; incuse heraldic design comprising a heater shield, helmet with foliage mantle and oak-tree crest; the shield with three fields (i) an empty tomb with cross potent emerging from the centre (ii) three cinquefoils (iii) two fish addorsed; concentric multilinear borders with legend in block capitals '· SEEL · IEAN · DV · BVISSON · 1617' (seal of Jean du Buisson) and scroll detail to the ends. 26.2 grams, 36 mm
The Matrix Collection, formed by David Morris since the late 1980s. Matrix Collection catalogue no.5918. Many of the seals within the collection were published in a book titled 'The Matrix Collection', by David Morris in 2012. Accompanied by a copy of the illustrated collection notes.
Jean du Buisson, baron of Beauteville, married Jeanne de Lavenson de la Loubière in 1617 and died in 1634. -
Bronze 'Fauno Rosso' Satyr
19th century A.D.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £750
A bronze figure of a satyr standing on a hexagonal base wearing a goatskin mantle tied by the forelegs around his shoulders, with poppy seed-heads and bunches of grapes by the left arm; in his raised right hand, a bunch of grapes and in his left hand a cudgel; stump of a tree by his right leg and barrel beside his left, with a lamb to the rear placing its foreleg on top; modelled after the so-called Fauno Rosso from Hadrian's Villa, now in the Capitoline Museum. 18.5 kg, 67 cm high
From an important Paris gallery, France.
Half-man, half-beast, satyrs were believed to be the children of goats and mountain nymphs. Followers of the god Dionysus, they had a reputation for drunkenness and spent their days participating in orgiastic rituals. They represented the crude and boisterous facets of the stereotypical male persona, particularly of rural man.
