Tudor Bronze Clothes Hook Fastener Group

Central panel of triptych formed as a rectangular plaque of low-relief figure of Saint Nicholas flanked by smaller figures of Jesus and Mary to each side, a suspension hoop to each corner; upper panel with central image of trinity with cherubs and vernicle; remains of pale blue enamel. 47 grams, 90 mm



Ex Constable collection, 1990s. Ex P. Morris collection.

Depicting the martyrs freezing to death in a lake in Cappadocia, clad only in their undergarments (esophoria); Jesus above, dressed in gold and red, offering the crowns of martyrdom as a sign of reward; a tower to the side of the martyrs; Greek inscriptions: inside the gold nimbus 'O ѾN' (= The Only One who always exists), the inscription above the martyrs reading: 'Οι Άγιοι Τεσσαράκοντα Μάρτυρες = The Saint Holy 40 Martyrs'. 810 grams, 30 x 22.5 cm



Acquired on the European art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13063-249294.

The icon depicts the martyrdom of the 40 soldiers of the Legio XII Fulminata, who died in a frozen lake in Cappadocia in 320 AD. The drama experienced by these courageous men, nourished by their faith in Christ, is evocatively expressed. Their frozen bodies are painted in ochre and olive green, reflecting the stages of their agony. Christ is offering them crowns of glory from heaven as a sign of reward. The cult of the 40 Martyrs spread rapidly, first in Constantinople, where several churches were dedicated to them, then in the Balkans and Russia.

Including a glass fusiform bead with dragged trail detailing and seven tzi beads. 90 grams total, 26-76 mm



Private collection, UK.