Tibetan Iron Ceremonial Buddhist Artefact Group

Of academic interest, copper-coated lead seal impressions including presentation scenes, worship scenes, court scenes and others; some with cuneiform text. 367 grams total, 40-55 mm



Possibly made by the British Museum. From a West Country, UK, private collection.

Discoid plaque with granules to the rim, concentric rings to the face and central hexagonal cell with inset garnet gemstone, mounting loops to reverse. 3.16 grams, 20 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.

Depicting the martyrs freezing to death in a lake in Cappadocia, clad only in their undergarments (esophoria); Jesus above, dressed in gold and red, offering the crowns of martyrdom as a sign of reward; a tower to the side of the martyrs; Greek inscriptions: inside the gold nimbus 'O ѾN' (= The Only One who always exists), the inscription above the martyrs reading: 'Οι Άγιοι Τεσσαράκοντα Μάρτυρες = The Saint Holy 40 Martyrs'. 810 grams, 30 x 22.5 cm



Acquired on the European art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13063-249294.

The icon depicts the martyrdom of the 40 soldiers of the Legio XII Fulminata, who died in a frozen lake in Cappadocia in 320 AD. The drama experienced by these courageous men, nourished by their faith in Christ, is evocatively expressed. Their frozen bodies are painted in ochre and olive green, reflecting the stages of their agony. Christ is offering them crowns of glory from heaven as a sign of reward. The cult of the 40 Martyrs spread rapidly, first in Constantinople, where several churches were dedicated to them, then in the Balkans and Russia.