Thutmose III Grand Tour Scaraboid

Comprising three Corpus Christi figures in bronze and bone, modelled in the round with arms outstretched, loin cloth to the thighs, feet placed (on two of them) on the supporting block; one without cross. 171 grams total, 12.6-19.5 cm



From the private collection of Victor Brox (1941-2023), formed in the 1980s-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The artists, probably Italian, with extraordinary dedication and sensitivity, created images of a still living Christ, afflicted by suffering. They had paid great attention to detail, with particular care taken over the softly curled hair, tense musculature, and protruding ribs.

Depicted with a young face, curly hair, crowned by a halo, six radiating wings with feather detail; two holes for attachment. 33 grams, 19 cm



Acquired Brigantia Antiques, York, UK, circa 2007. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The plaque represents the central applique of a riphidion, an ecclesiastic fan worn by the Deacons during the Liturgical celebration of the Orthodox Church. The iconography refers to the Cherubim, the Angelic creatures with many wings and many eyes, ‘Singing the triumphal hymn, exclaiming, proclaiming, and saying' Holy, holy, holy. Fans are appointed to symbolise the invisible presence of the angels during significant liturgical acts. They are carried in the Great Entrance while the choir sings, ‘We who mystically represent the Cherubim and who sing the thrice-holy hymn to the life-creating Trinity, now lay aside all cares of this life, that we may receive the King of All, who comes invisibly escorted by the angelic host’. The altar servers take the place of angels, and they carry seraphic fans like the ancient Roman soldiers who carry the banner of their regiment.

Showing the Evangelists and the Crucifixion with Saint Mary, Saint John and Saint Longinos on one side with Greek inscription 'STAVROSIS (Η ΣΤΑΥΡΟΣΙΣ = the Crucifixion)' above; the Baptism on the other side with Greek inscription 'VANGELISMOU (Η ΒΑΝΓΕΛΙΣΜΟΥ = the Apparition)' above, evangelists depicted above and below with the angels Gabriel and Michael to the sides. 93 grams, 19.5 cm



Acquired from Portobello Road, London, in the 1980s. Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The term ‘Dodekaorton cross’ is the most appropriate for this category of crosses and is used in other codices of the post-Byzantine period. These small crosses were used by the Hieromonks for blessings to the faithful and in various processions and liturgies, and were often mounted with frames made of precious materials. The carving of wooden crosses is regarded as an art traditionally practiced by Athonite monks. Ioannis Komninos in 1698 and the Jesuit priest Braconnier in 1706 both refer to the carved wooden pectorals and crosses made by the monks in order to provide themselves with a livelihood.