Stuart Period Silver Ring with Shield and IHS

A gold ring composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box. 4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579.

Over the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced.

A gold posy ring with D-section band, inscribed internally with 'LET THIS VS TI VNTIL WE DI' inscription (let this us tie until we die). 1.66 grams, 17.36 mm overall, 15.61 mm internal diameter (approximate size British I 1/2, USA 4 1/2, Europe 8.07, Japan 7)



Acquired on the UK antiques market between 1974-1985. Albert Ward collection, Essex, UK.

A bifacial bronze Yämäṩor Mäsqäl processional cross finial with later replaced socket, flanking bird motifs and dense block of tendrils and wheels with seven cross-shaped finials, central panel with Virgin Mary, Holy Child and angels to the front, saints and Evangelists to the back. 55 grams, 26 cm (37.5 cm including stand)



Acquired on the London art market, 2006. UK private collection.

In contrast with the hand cross that is fitted with a grip, the processional cross has a hollow shaft into which the pole supporting the cross is inserted, although the use of both is interconnected in the liturgy and ceremonial aspects of the Ethiopian Orthodox Church. In Amharic it received the name of yämäṩor mäsqäl or "cross to [carry] on a pole", the term mäṩor also meaning a wooden handle. Processional crosses are used on "every qaddase day" occasions - an expression meaning whenever the liturgy is performed. This includes displaying the cross during the reading of the Gospels and other sacred texts, as well as holding it up to be viewed at the end of the service for the final blessing.