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LOT 1985
Stuart Period Bronze Hands Holding Heart Ring
17TH CENTURY A.D.
7/8 in. (3.71 grams, 21.00 mm overall, 16.15 mm internal diameter (approximate size British K, USA 5 1/4, Europe 9.95, Japan 9)).
Claddagh ring with a tapering hoop, the bezel with two hands holding a raised heart. [No Reserve]
ProvenanceFrom the private collection of Graham Slater (1927-2024), Cambridge, UK; formed 1980s-1990s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 1985
Stuart Period Bronze Hands Holding Heart Ring
Estimate £50 - 70€58 - 81 (for guidance only)$68 - 95 (for guidance only)
Opening Bid
£5 (EUR 6; USD 7) +BP*
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Chalcedony and Silver-Gilt Bust of the Emperor Vespasian
Italy, 17th-18th century A.D.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £750
The head, carved from pale green chalcedony, polished to a smooth lustre and with a drilled aperture at the crown, the hair in tight curls around the nape and crown; the silver-gilt torso dressed in a draped toga carefully chased with deep folds and traces of gilding across the high points; mounted on a later patinated bronze column stand in the neoclassical manner. 208 grams total, 10.9 cm high including stand
Acquired on the European art market.
This small-scale portrait evokes the Roman tradition of imperial portraiture and the early modern fascination with the ancient world. From the seventeenth century onwards, artists and collectors revived classical subjects through hardstone and gilt-metal compositions, often intended for display in Kunstkammer or Grand Tour contexts. The combination of a reused ancient or earlier element with a later mount was a practice typical of the Renaissance and Baroque periods, reflecting the period’s reverence for antiquity and its imaginative recontextualisation of ancient forms. -
Renaissance Gold Ring with Toadstone
Western Europe, 16th century A.D.Estimate: £8,000 - 10,000 (+bp*)
Opening Bid: £4,000
Featuring a round-section large hoop expanding towards the shoulders, a large circular bezel with a Greek key motif encircling the outer rim and set with a brown 'toadstone'. 13.01 grams, 32.42 mm overall, 23.12 x 19.25 mm internal diameter (approximate size British V 1/2, USA 10 3/4, Europe 24.4, Japan 23)
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13398-257996.
William Shakespeare’s As You Like It, circa 1599: 'Sweet are the uses of adversity, Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head.' Toadstones are mythical stones that were thought to be found inside the head of a toad. They were believed to sweat, change colour or even heat up in the presence of poison. It was thought that a toadstone placed on bites from snakes, insects, spiders and shrews would extract poison from the wound. They were thought to bring good luck and ward off evil, whether in the present life or in the afterlife. The Book of Secrets from the 13th century recommends swallowing the stone to 'cleanse the bowels of filth and excrements'. The stone could then be retrieved and used again. They were often set as amulets and talismans, a practice that continued in Europe until the 18th century. Toadstones are actually the button-like fossilised teeth of Lepidotes, an extinct genus of fish common in the Jurassic and Cretaceous Periods, 200 to 100 million years ago. -
Pierre Bonnard, Les Maitres de l'Affiche, Plate 38 - Original La Revue Blanche Poster
1896 A.D.Estimate: £500 - 700 (+bp*)
Opening Bid: £200
Buff-coloured paper reproduction poster with grey, sepia and black image of a woman in hat and fur coat with a child at her side; large lettering to lower centre 'La Revue Blanche'; title in handwritten script 'La Revue parait chaque mois en livraisons de 100 pages le No 1ere nureaux 3 rue Laffitte en vente partout'; 'bottom right blind stamp 'Imp. Edw. Ancourt, Paris'; bottom left 'Les Maîtres de l'Affiche Pl.38 / Imprimerie Chaix / (Encres Lorilleux & Cie.)' 49 grams, 39.6 x 29 cm
Acquired on the UK art market. Property of a Harwich, UK, collector.