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Details
LOT 1610
Stone Age Polished Kneeling Goddess Idol
NEOLITHIC PERIOD, CIRCA 6TH-4TH MILLENNIUM B.C. OR LATER
4 in. (329 grams total, 99 mm including stand).
A carved and polished figurine with rounded head and broad shoulders, folded arms resting on each side of the protruding belly, legs folded beneath the body; mounted on a custom-made stand. [No Reserve]
Provenance
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Literature
Cf. Morris, D., The Art of Ancient Cyprus, Oxford, 1985, figs.108-109, p.119, for similar idols; Various, Idoles, Au commencement etait l’image, A la Reine Margot, 22 Novembre 1990-28 Fevrier 1991, Paris, 1990, figs.10-11, for similar; also see the view of Caldwell, Duncan, The Use of Animals in Birth Protection Rituals and Possible Uses of Stone Figurines from the Central Sahel, 2015 winter issue, vol.48, no.4, Nov., pp.14-25.
Footnotes
Most scholars consider these as symbols of the fertility cult and as evidence of the existence of a matriarchal society as a form of organisation of the earliest human society. The people of the Stone Age may have considered figures such as this to represent women and mothers with their life-giving powers, or as depictions of the ancestors.
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A carved and polished figurine with rounded head and broad shoulders, folded arms resting on each side of the protruding belly, legs folded beneath the body; mounted on a custom-made stand. 329 grams total, 99 mm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
Most scholars consider these as symbols of the fertility cult and as evidence of the existence of a matriarchal society as a form of organisation of the earliest human society. The people of the Stone Age may have considered figures such as this to represent women and mothers with their life-giving powers, or as depictions of the ancestors.
