South Italian Blackware Kantharos with Ivy Branch

The elegant figure depicting the Greek god of fire and metalworking seated and nude except for the pilos on his head, lean body with naturalistic detailing, shown bearded and with curly hair emerging beneath the cap; he would have once held a pair of tongs in his left hand and a hammer in his right hand; accompanied by a custom-made display stand. 294 grams total, 13.5 cm high including stand

Fine condition, wonderful state of preservation, very rare.

with Elie Borowski, Basel. Subsequently in the collection of Denys Sutton (1917-1991), London, acquired from the above on 11 October 1963. Thence by descent. with Sotheby's, New York, 6 December 2012, lot 11. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11827-207739.

According to legend, Hephaistos was thrown into the ocean by his mother Hera and raised by the sea nymph Thetis. Upon his return to Olympus, he took his revenge by imprisoning his mother and obtaining the hand of the most beautiful of the goddesses, Aphrodite. He became the blacksmith of the gods. Sculptural depictions of the god, known as Vulcan to the Romans, are very rare. Hephaistos was the armourer of the heroes, and certainly his greatest artwork was making Achilles' armour.

Biconical with a tapering cylindrical neck and two handles, raised ribbing around the shoulder. 550 grams, 15 cm wide



Ex private Mister X. (1931-2017) collection. Sold in the benefit of the 'Croix-Rouge of Monaco'.

Central bulb to the keeled bow, integral pin and large catch-plate. 42 grams, 95 mm



From the family collection of a Surrey gentleman since before 1960.

The function of the catch-plate fibulae was utilitarian and decorative, they were used for woollen clothing (Herodotus V, 87) and they have been found in houses, tombs and as votive offerings in sanctuaries. This typology was introduced in South Italy by the Greeks, and was widespread in the Magna Graecia. Like all female fibulae, it functioned as a clothing fastener, usually worn as a pair on each shoulder.