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LOT 0190
South Arabian Alabaster Male Head
LATE 2ND-3RD CENTURY A.D.
7 in. (1.17 kg total, 18 cm high including stand).
Carved in the round with deep-set eyes and broad aquiline nose; hair and short beard modelled with stippled surface; slender neck; mounted on a custom-made display stand.
ProvenanceFormerly private European collection.
with Christie's, New York, 7 December 1995, no.116.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12262-222127.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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LOT 0190
South Arabian Alabaster Male Head
Estimate £4,500 - 5,500€5,220 - 6,380 (for guidance only)$6,080 - 7,430 (for guidance only)
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Old Anatolian Stone Cylinder Seal
2nd-1st millennium B.C.Sold for (Inc. bp): £1,170
With frieze depicting a facing anthropomorphic figure placed tête-bêche with another; supplied with a museum-quality impression. 72.1 grams, 40 mm
From the collection of the late S, London, UK, 1970-2000. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Luristan Bronze Animal Pair
Early 1st millennium B.C.Sold for (Inc. bp): £72
Comprising: a grazing animal with loop to the shoulders; a horned animal with head lowered. 31 grams total, 32-39 mm
From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Sumerian Pictographic Tablet Fragment Listing Sheep and Goats
Jemdet Nasr Period, circa 3000 B.C.Sold for (Inc. bp): £3,770
Pillow-shaped tablet fragment with script to one face; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Portion of Clay tablet with Pictographic Script. 57x48 mm. This is an oblong tablet with rounded side and corners. Most of the obverse is preserved, only the top and left edges are missing. Most of the surface of the reverse is lost, but it was not written so the loss is not important. The obverse is divided into three columns, the first being a double column: each compartment has a smaller one beside it with figures alone. This is an administrative document from some town in Sumer, dating to the Jemdet Nasr period, c. 3000 B.C. Not everything can yet be understood, but some things are clear. The purpose of the double column is not known, but in the second column there are two immediately clear lines: 30 sheep; 1 (or:60) goat(s) The first two columns and the beginning of the third consist of compartments with signs for things and numbers, but the rest of the last column has more complex writing devices, and must be some kind of different statement. such as the name of the official in charge of the things listed, or the name of the office dealing with these matters, or also the name of the place where this listing was made. This tablet has been conserved by firing, and is in good condition.' 39 grams, 58 mm
Ex private collection of Mr S H; thence by descent,1980-1990. Accompanied by an original typed and signed scholarly note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.