Slipware Frog 'Loving Cup' Named Tom Frozon

Black stone intaglio featuring a kneeling satyr before a grapevine, holding a large goblet in his right hand and a thyrsus in the crook of his left arm, a wine amphora behind him; set in a gold ring; supplied with a museum-quality impression. 2.51 grams, 22.29 mm overall, 19.70 mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18)



Acquired on the European art market.

Comprising a bulbous body with an everted rim and a loop handle to the rear, three flaring feet on the underside. 1.05 kg, 20.6 cm wide



From a UK collection formed in the 1980s. Property of an Essex, UK, gentleman.

An oval intaglio finely engraved with a classical scene, at the centre a herm upon a plinth, flanked by two figures: the woman on the left wearing a gown with loose drapery falling across her arms, while the figure to the right is shown nude, the body scarcely veiled by a fine transparent cloth; at the far right a sacrificial altar surmounted by a lyre, introducing a musical or poetic dimension to the scene and emphasising its votive character; mounted in an ornate 18th-century French gold fob mount, pierced with scrolling foliate ornament and stamped with duty marks; supplied with a museum-quality impression. 6.60 grams, 25 mm



Acquired on the European art market.

The gem, cut in the 16th century, reflects the Renaissance revival of antique glyptic art, where Roman prototypes were carefully studied and reinterpreted with elegance and precision. The finely executed incision and harmonious arrangement of clothed and unclothed figures highlight the engraver’s technical mastery and antiquarian erudition.