Silver-Mounted Shell Travelling Mirror

Formed as a hand showing figa gesture, silver mount with applied twisted wires; attachment loop and ring to the top. 19.6 grams, 56 mm



Private collection, Europe. Acquired on the English art market.

Mano Fico, as protective amulets have been used since the ancient world, it was believed to protect from the evil eye and other dark and magical forces and to promote fertility. In ancient Rome, the fig sign, or mano fico, was made by the pater familias (father of the family) to ward off the evil spirits of the dead as a part of the Lemuria ritual. The ancient Greeks wore amulets of the gesture around the neck to protect from the evil eye, and also used the gesture in artwork. What they considered an overtly sexual gesture was expected to distract evil spirits from causing harm. The pendant would have been worn from a belt or from a chatelaine containing other protective talismans. This carving would have served as a token representing a person's pilgrimage to Santiago de Compostela, one of the very few places in which jet can be found and mined since at least the Middle Ages.

Carved as the staff or 'Rod of Asclepius' with a snake curled around the staff and inscribed 'IN MEMORY OF GREAT EUROPEAN WAR'; chip-carved median band and differential staining. 389 grams, 85 cm



From a Cambridgeshire, UK, collection.

'Trench Art' refers to decorated objects made by soldiers from the debris of war and serving as souvenirs and pastimes.

D-section hoop with widening lozenge-shaped shoulders supporting two discoid bezels; one with orange stone intaglio of three winged erotes, two engaged in a wrestling competition; a mirror image in gold below. 16.07 grams, 29.75 mm overall, 17.58 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Private collection, Europe. Acquired on the English art market.