LOT 0365

Silver and Diamond Pendant with the Transfiguration

SPAIN, CIRCA 1700 A.D.

2 5/8 in. (31.97 grams, 66 mm).

The elaborate openwork pendant set with old-cut diamonds, the hanger centred with a table-cut diamond; at the centre a circular glazed compartment containing a Greek Orthodox, micro-sandalwood carving of the Metamorphosis, featuring the three elaborately carved nimbate figures of Christ, Heliah and Moises, and the three apostles Peter, John and James at their feet; the reverse of the pendant with a flowering tulip; a brooch pin added in the 19th century to the reverse.

Acquired on the European art market.

This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13450-257984.

Cf. Solrunn, N., The uncreated light, an iconographical study of the Transfiguration in the Eastern Church,Cambridge, 2007, pl.X, for the iconography of the Metamorphosis in the Orthodox Church.

The central scene represents the Transfiguration of Christ, as it is described in the Gospels of Matthew, Luke and Mark. Having led his companions up the holy Mount Tabor to pray, the men are awoken the following day by the startling sight of Christ floating above the mountain at Galilee. He is flanked by the prophets Elijah and Moses, who stand serenely talking to him from two rocky outcrops. Christ hovers within an aureole, which represents divine uncreated light, and makes a sign of blessing. As the disciples, still ‘heavy with sleep’, stare with amazement to see him in his deified humanity, a voice speaks out from a cloud: ‘This is my Beloved Son, in whom I am well pleased; hear ye him’ (Matthew 17:5). In confusion they scramble and fall. John loses a sandal. James stumbles and shields his eyes.