Details
LOT 3103
Seleukid Empire, Antiochos IV Epiphanes AE 34mm. 169-168 BC. Antioch on the Orontes mint. 'Egyptianizing' series.
Laureate head of Zeus-Serapis to right, wearing tainia with Osiris cap at tip / Eagle with closed wings standing to right on thunderbolt; BAΣIΛEΩΣ ANTIOXOY to right, ΘEOY EΠIΦANOYΣ to left. SC 1413; Houghton 118; Newell, SMA 59; HGC 9, 643. Near Very Fine.(39.68gr, 34mm, 1h.).
Provenance
Property of a Cambridgeshire, UK, gentleman.
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Thessaly, Pharsalos AR Drachm. Late 5th-mid 4th century BC. Signed by the engraver ΤΗΛΕΦΑΝΤΟΣ (Telephantos) and ΙΠ- (Ip-).
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Head of Athena to right, wearing crested Attic helmet with raised cheek pieces; behind neck, ΤΗ above ΙΠ (engravers' initials) in small lettering / Φ-Α-Ρ-Σ clockwise around Thessalian cavalryman riding horse prancing to right, wearing petasos, chlamys and chiton, and holding lagobolon over his right shoulder; in exergue, Τ (engraver's initial). Lavva 86 (O43/R51); BCD Thessaly I 1284 var. (TH in exergue); BCD Thessaly II 639 var. (no ΙΠ); HGC 4, 624. 5.95gr, 18mm, 9h.
Good Extremely Fine. Tiny cut on reverse. Attractive toning with golden iridescence around the devices. Sharply struck and surprisingly detailed.
From a Swiss collection, acquired prior to 2005. Ex Nomos AG, Auction 21, 21 November 2020, lot 145 (company's ticket included).
If the harmony and the aristocratic inner peace of the portraits are the first thing that catches our attention, it is the extremely detailed rendering of the figures, especially on the reverse, that makes the viewer cling more to their admiration for this coin. Each depiction of Athena’s head in these emissions of Pharsalos makes us believe that she has her own character and that no two are the same, even though they share the same characteristics. Athena in our coin looks like a tender girl with a serious but innocent look in her eyes. Her divine power, despite her young age, is not violent; it is simply inherent in the serenity of her gaze. On the other hand, the detailed rendering of the cavalryman’s and horse's face, the texture of his chlamys, the harmonious matching of muscles and joints in the horse's body, and even the pronounced veins in the horse's belly convince us of a talented engraver and a gifted artist.
