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LOT 0098
Scythian Bronze Harness Fitting
5TH-4TH CENTURY B.C.
5 1/4 in. (170 grams, 13.4 cm).
Sub-rectangular flat panel with attachment loop to reverse; openwork design comprising two D-shaped panels, each with voids to the centre extending to two addorsed long-necked beasts with incised outline, eye and mouth detailing.
ProvenancePrivate European collection, 1990s.
Private collection, London, UK.
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AUCTIONS:
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LOT 0098
Scythian Bronze Harness Fitting
Estimate £700 - 900€810 - 1,040 (for guidance only)$950 - 1,220 (for guidance only)
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Greek Bronze Child's Ring with a Warrior
Circa 4th-2nd century B.C.Sold for (Inc. bp): £46
Featuring a slender hoop and a lentoid bezel with a standing warrior holding a shield and a spear. 0.76 grams, 14.36 mm overall, 13.02 mm internal diameter (approximate size British D, USA 1 3/4, Europe 1.15, Japan 1)
From the private collection of a European gentleman (1942-2024), formed since the 1970s. -
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Greek Terracotta Gnathian-Ware Alabastron
Apulian, circa 3rd century B.C.Sold for (Inc. bp): £1,235
Piriform in profile with a carinated rim to the mouth, a low basal ring; horizontal bands and a hatched panel, concentric rings. 255 grams, 14.5 cm
Louis-Gabriel Bellon (1819-1899) collection, France. European private collection, 2009.
Among the shapes of pottery that are also mostly represented in the Gnathian style are lekanides, bombilyoi and alabastra. They were containers for ointments and perfumes, used in funerary contexts during the first phase of the ritual, when the body needed to be treated and prepared for the burial. -
Archaic Greek Bronze Statuette of a Coiled and Rearing Snake
Archaic, 6th-5th century B.C.Estimate: £5,000 - 7,000 (‡+bp*)
Opening Bid: £2,500
Modelled in the round with coiled body and rearing head, barbed fin to the forehead, punched annulet texturing on the body. 312 grams, 11 cm
Private collection, Neuchâtel, Switzerland, assembled in the 1980s. Acquired in 1995 by a European private collector. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12856-241689.
Snakes were important symbols in ancient Greek culture and were often linked with protection, healing, and renewal. Because they shed their skin, they were seen as a sign of rebirth and new life. They were also connected with gods and spirits of the earth and underworld, and in some cases were thought to protect the home or sacred places. In Greek art, a snake could therefore carry both religious and symbolic meaning.
