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LOT 1336
Scandinavian Viking Bronze Drum Brooch with Interlaced Panels
8TH-9TH CENTURY A.D.
1 3/4 in. (71.6 grams total, 45 mm).
With four raised arms and central knop to the upper face, all with punched ring-and-dot detailing; the outer sidewall with four panels of knotwork, dividing vertical stems with ring-and-dot motif, each with a D-shaped protrusion; the upper face with dense zoomorphic ornament; pin and separate catchplate to the underside with central hole, five studs retaining it to the upper.
ProvenanceUK gallery, acquired in the 2000s.
Property of an English gentleman.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11406-192532.
Cf. MacGregor, A. et al., A Summary Catalogue of the Continental Archaeological Collections, Oxford, 1997, item 1.9; and cf. Hammond, A.B., Benet's Artefacts of England & the United Kingdom, Fourth Edition, 2021, p.497, VO7-42257, for a similar item valued at £8,000-£10,000.
FootnotesThe type is known as a 'drum' brooch or 'box' brooch. They were apparently manufactured on the island of Gotland and all known examples probably have their origin there. Over time, the refinement of the earlier types (such as the present example) is superseded by cruder decoration consisting of dimples or simple dots.
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LOT 1336
Scandinavian Viking Bronze Drum Brooch with Interlaced Panels
Estimate £2,000 - 3,000€2,320 - 3,480 (for guidance only)$2,700 - 4,050 (for guidance only)
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Viking Bronze Urnes Style Mount Collection
11th century A.D.Sold for (Inc. bp): £53
Comprising: one C-shaped mount with tendril detailing; two irregular pierced pendants with beast-head suspension lug; one lead master for making pendant moulds. 41.7 grams total, 29-46 mm
From the collection of a North American gentleman, formed in the 1990s.
The comparatively recent finds from Lincoln, Hemel Hempstead and Grantham have considerably augmented the number of objects found in England decorated in the Urnes style, the last art style of the Vikings, and indicate that English metalworkers could produce objects of high quality. The employment of these mounts was probably linked with the fastening of puttees around the calves, the so-called wickelbander. Evidence for similar mounts as fastening pieces comes from Leyre (Danemark) and Novgorod (Ryurik Gorodische), and many other localities. -
Viking Silver Gripping Beast Pendant
9th-11th century A.D.Sold for (Inc. bp): £845
With integral loop; the openwork plaque with banded border and four panels, internal stylised zoomorph with hatched panel to the hip, gripping three-fingered hands to the body and border, two detailed feet, clearly visible facing mask below the loop with pellet eyes. 8.44 grams, 35 mm
From the collection of a North American gentleman, formed in the 1990s.
There is a class of discoid pendants with banded borders and contorted figures found in the hinterland of the Baltic region, associated with the influence of Scandinavian settlers. The design of these items recalls specific elements of Scandinavian art - for example, the 'gripping hands' motif is a feature of the Oseberg Style named after the famous Norwegian ship-burial. Oseberg Style is associated with the beginnings of the Viking age, and was current in the 9th century when Scandinavian settlers began to establish centres of trade and political control in the area of the rivers Dnieper and Volga. The motif has been interpreted as a horse and linked with various legends and mythic figures. -
Viking Age Bronze Artefact Collection
10th century A.D. and laterSold for (Inc. bp): £85
Comprising: an openwork mount with interlace motif; metallic pot sherd with incised vegetal forms in panels; domed discoid mount with knop at centre of radiating arms with trace remains of gilding; quatrefoil brooch with addorsed bird heads, remains of catchplate to reverse; multiple decorated pins and strap end with trace remains of gilding. 88 grams total, 15-46 mm
From the collection of a North American gentleman, formed in the 1990s.