Saxon Bronze Buckle and Plate with Iron Pin

The majority of a mount bearing dense and enigmatic imagery recalling half-remembered legends which were already ancient when it was made; the obverse packed with a tangled mass of bands of detailed ornament which resolves itself into human (or divine?) figures, each gripping the ankles of the other, their bodies inverted and contorted in the classic Style I chip-carved fashion; the centre with a round cell, into which a flat-cut glass cloison is set, polished to reflect the light and to shimmer with blood-red brilliance. 9.08 grams, 32 mm

Fine condition. Unique.

Found Wiltshire, UK. Wiltshire gentleman, 2011. TimeLine Originals, 2000s. Property of an East Anglia gentleman. Accompanied by a report by Anglo-Saxon and Viking specialist S. Pollington. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10381-168115.

Anglo-Saxon and Viking specialist Stephen Pollington writes: '...the scene presented may illustrate a legend or myth of which no record survives. That said, the execution of the piece is consistent with high-status Anglo-Saxon metalwork of the 6th century, and the quality of the gilding is remarkably high. The iconography is at present unique but entirely within the Anglo-Saxon tradition.'

Parcel-gilt bell-shaped mount with pierced lug above arched bracket framing two perching birds with long beaks and folded wings, field of granulated lines, curved claws to the lower edge; the whole design forming a stylised human mask. 20.8 grams, 39 mm



Found UK. From the private collection of the late Alexander Cotton, Hampshire, UK.

Comprising: trapezoidal headplate with beast-head spurs to the upper angles and concentric panels of Style I ornament with flanking billets; shallow bow with central cell and garnet cloison insert; short footplate with lateral lappets featuring profile masks and central lozenge; facing mask above a trapezoidal bar finial; pin-lugs and catch to the reverse; mounted on a custom-made stand. 74 grams, 11 cm (126 grams total, 13 cm high including stand)



with ArtAncient Ltd. Private collection, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12440-226863.

The meaning of the 'facing mask' motif on the footplate is probably related to the profile masks frequently used in Style I art, where the 'pellet' eye is enclosed by an arched frame: the 'facing mask' repeats this motif to produce a pair of eyes in a doubled 'bow'. An element of visual 'riddling' is no doubt present: the design is neither one thing nor the other, but includes elements of both. Distribution of great square-headed brooches was initially concentrated along the valleys of the Rivers Trent, Thames and Severn, though it was later confined to the East Midlands and East Anglia (Hines, 1997, figs. 101, 102).