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LOT 1501
Sasanian Chalcedony Stamp Seal with Winged Figure
CIRCA 3RD-7TH CENTURY A.D.
7/8 in. (9.83 grams, 22.55 mm).
With linear design of a winged figure. [No Reserve]
ProvenanceFrom the private collection of a European gentleman (1942-2024), formed since the 1970s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Sasanian Polished Bronze Bowl
3rd-7th century A.D.Sold for (Inc. bp): £65
Shallow body with gently sloping walls and flattened base. 228 grams, 17.5 cm
Ex Abelita family collection, 1980s-2000s. -
Western Asiatic Gold Flower-Shaped Pendant
1st millennium B.C.Sold for (Inc. bp): £117
Formed as a six-petalled flower with two loops on the reverse, each petal formed as a cell to accept an inlay. 0.40 grams, 10 mm
Ex private British collection, formed in the 1980s. Property of a West Northamptonshire, UK, gentleman. -
Sumerian Green Stone Eye Idol
3rd millennium B.C.Estimate: £2,500 - 3,500 (‡+bp*)
Opening Bid: £1,250
Carved in the round as a rectangular block with a slit to the upper edge, vertical spike with two annulet 'eyes'; pierced for suspension. 13.2 grams, 41 mm
with M. Petropoulos, Zurich, early 1990s. with Rhéa gallery. Private collection, acquired in 1999. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12897-241753.
Idols were an important part of religious life in South Arabia and across the ancient Near East. They were made as images of gods, spirits, or protective powers, and helped people feel a closer connection to the divine. These figures might be placed in temples, shrines, or even in the home, where they could have a protective or devotional role. Their shapes were often simple and stylised, with more importance placed on their meaning than on making them look fully realistic.
