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LOT 2139
Russian Wooden Icon with Christ Pantocrator with Silver Cover
DATED 1889 A.D.
8 7/8 x 7 in. (498 grams, 22.5 x 18 cm).
Showing Christ Pantocrator (Lord of the Universe) making a blessing gesture with the right hand, the left hand holding the gospel, covered with an elaborate silver oklad marked 84, with repoussé and chased decoration, incised Cyrillic inscription on the Gospel, and on the bottom an incised Cyrillic inscription 'Господь Вседержитель'= Lord Almighty.
ProvenanceProperty of a London, UK, gentleman collector.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. similar icons in Moscow Art Centre, Artistic Treasures of Russia, Catalogue of the Icons (in Russian), Moscow, 2022, icons 67, 79, 94.
FootnotesThis fine Russian religious work depicts Christ Pantocrator, ‘Almighty’ or ‘All Powerful’. It is a compound word formed from the Greek words for ‘all’ and the noun ‘strength’ (kratos). In Orthodox Christianity, his icon is one of the most common religious images. The 'oklad', or protective covering of the icon, was made from silver, often gilt, sometimes with cloisonné enamel decorations, and always decorated with geometric floral patterns. The style of Christ recalls the work of Ivan Semenovich Gubkin, an embosser active in Russia at the beginning of 20th century.
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AUCTIONS:
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LOT 2139
Russian Wooden Icon with Christ Pantocrator with Silver Cover
Sold for (Inc. bp): £546
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Greek Icon with Saint Anthony the Abbot and Saint Charalambos
Early 19th century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Saint Anthony the Great on the left, represented in monastic dress holding a scroll of holy writings with his left hand; Saint Charalambos dressed as a bishop, with a green sticharion embroidered in gold, covered by a pink gold embroidered phelonion, a gold embroidered square epigonation with blue edges, and a long orange gold embroidered epitrachelion, holding a gold covered gospel with the image of Christ's resurrection with his left hand; tempera on wood. 558 grams, 25 x 18.6 cm
Acquired from Portobello Road, London, in the 1990s. Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Saint Anthony the Great, who lived in the 3rd-4th century A.D., was the father of the Eastern Monachism. According to the tradition, Saint Charalambos was martyrised in 202 A.D. He is the protector of prosperity and health -
Post Medieval Pewter Spoon Collection
20th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
Mainly with a broad shallow bowl and flat-section handle. 539 grams total, 16.5-17.2 cm
From a London, UK, collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Post Medieval Gilt Plaque with Winged Cherub
17th-18th century A.D.Sold for (Inc. bp): £234
Depicted with a young face, curly hair, crowned by a halo, six radiating wings with feather detail; two holes for attachment. 33 grams, 19 cm
Acquired Brigantia Antiques, York, UK, circa 2007. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The plaque represents the central applique of a riphidion, an ecclesiastic fan worn by the Deacons during the Liturgical celebration of the Orthodox Church. The iconography refers to the Cherubim, the Angelic creatures with many wings and many eyes, ‘Singing the triumphal hymn, exclaiming, proclaiming, and saying' Holy, holy, holy. Fans are appointed to symbolise the invisible presence of the angels during significant liturgical acts. They are carried in the Great Entrance while the choir sings, ‘We who mystically represent the Cherubim and who sing the thrice-holy hymn to the life-creating Trinity, now lay aside all cares of this life, that we may receive the King of All, who comes invisibly escorted by the angelic host’. The altar servers take the place of angels, and they carry seraphic fans like the ancient Roman soldiers who carry the banner of their regiment.
