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LOT 2139
Russian Wooden Icon with Christ Pantocrator with Silver Cover
DATED 1889 A.D.
8 7/8 x 7 in. (498 grams, 22.5 x 18 cm).
Showing Christ Pantocrator (Lord of the Universe) making a blessing gesture with the right hand, the left hand holding the gospel, covered with an elaborate silver oklad marked 84, with repoussé and chased decoration, incised Cyrillic inscription on the Gospel, and on the bottom an incised Cyrillic inscription 'Господь Вседержитель'= Lord Almighty.
ProvenanceProperty of a London, UK, gentleman collector.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. similar icons in Moscow Art Centre, Artistic Treasures of Russia, Catalogue of the Icons (in Russian), Moscow, 2022, icons 67, 79, 94.
FootnotesThis fine Russian religious work depicts Christ Pantocrator, ‘Almighty’ or ‘All Powerful’. It is a compound word formed from the Greek words for ‘all’ and the noun ‘strength’ (kratos). In Orthodox Christianity, his icon is one of the most common religious images. The 'oklad', or protective covering of the icon, was made from silver, often gilt, sometimes with cloisonné enamel decorations, and always decorated with geometric floral patterns. The style of Christ recalls the work of Ivan Semenovich Gubkin, an embosser active in Russia at the beginning of 20th century.
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AUCTIONS:
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LOT 2139
Russian Wooden Icon with Christ Pantocrator with Silver Cover
Sold for (Inc. bp): £546
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Roman Style Gemstone with Galley
19th-20th century A.D.Sold for (Inc. bp): £59
Ellipsoid in plan with incuse galley and legend '[??] OMIT FANI'. 1.84 grams, 21 mm
From the collection of a London antiquarian, formed since the 1980s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Renaissance Devotional Aid Depicting Saint Sebastian Tied to a Coral Branch
Southern Germany, circa 1500-1520 A.D., adapted by Jacob Frick of Constance, circa 1590 A.D.Sold for (Inc. bp): £2,860
Comprising a parcel-gilt raised discoid base with fluted hexafoil developing to a central column with braided collar and openwork crown socket; inset portion of natural coral branch; figure of St Sebastian modelled in the round with three arrows piercing his shoulders and chest and the stub of a fourth in his shin, portrayed with gilt loincloth and centre-parted hair, braided wire bonds to the left wrist and one ankle' old collector's numbers 'V.590.3H1 7' and '18688' to underside. 190 grams, 12.4 cm
F.K.A. Huelsmann, Hamburg. with Christie's, Geneva, 13 May 1981, no.7. Private collection, South Germany. with Hargesheimer & Gunther, 22 September 2017, no.1307. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12507-230673. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
This lot will require a CITES licence when exported outside the UK. -
Ethiopian Painted Parchment of The Virgin's Miracle: Healing of the Paralysed Priest
Circa 1650 A.D.Sold for (Inc. bp): £845
Rectangular leaf with hand-coloured composite scene: right, Mary in blue mantle and rich embroidered red garment holding the fallen priest by the hand and raising him; behind him a prone male figure in colourful robes (the priest represented for the second time); ecclesiastic architecture on the background; a manuscript folio with text in Ge'ez to the reverse. 27 grams, 31.5 x 22 cm
Private collection, New York, circa 2016. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The image refers to the 'Miracle of the healing of the Priest' in which a priest, who had grown old in the service of the Virgin Mary, fell over in the church when bowing before her, and broke his back. The Virgin appeared and healed his broken bones.
