Russian Orthodox Enamelled Bronze Travel Icon with Saints Boris and Gleb

Rectangular fabric panel with embroidered rosettes, tendrils and other patterns in concentric blocks. 1.7 kg, 128 x 211 cm



Private collection, UK.

Oval in plan with a vivid polychrome enamel scene on a black ground to the upper face of the lid, within a gilt-copper frame: Mercury, identifiable by his winged helmet and caduceus, standing beneath a classical arch flanked by stylised columns and vases of flowers; above the entablature, a canopy held aloft by two snails, with twin ewers crowning the upper corners and issuing stylised streams; the architectural and ornamental elements highlighted with translucent and opaque enamel, highlighted with gilding and intricate punchwork; the frame with a guilloche border, surmounted by a pierced rocaille loop with a scallop motif, and terminating below in a turned pendant finial; the sides of the frame engraved with a delicate foliate frieze, the reverse flat-chased with three vases of stylised flowers issuing from scrolled supports, framed above by draped swags, butterflies, and a winged cherubic mask; the case hinges open at the top, the interior, originally fitted with mirrored glass, now partially oxidised but retaining areas of reflection. 168 grams, 14.4 cm



Private collection, France. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12998-246011.

The enamel composition is directly derived from a print by Étienne Delaune (1518/19-1583), from his series Grotesques à Fond Noir, Dieux et Déesses, created in France c.1550-1572, before he departed for Strasbourg. Delaune’s engravings were a principal source for Limoges enamellers of the late 16th and early 17th centuries, particularly in the production of oval mirror plaques for personal toilette or cabinet display.

Discoid with ribbed border and central raised pellet, motif of a winged centaur holding a square shield and a staff(?), foliage motif to the background; pierced three times to the rim. 153 grams, 10.1 cm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.

This version of a centaur was known as ‘kitovras’, an old Russian version of the word ‘kentauros’. He is typically portrayed with the body of a horse and the torso and head of a man, often featuring prominent wings and wearing armour. Kitovras is best known from a legend, ‘The Tale of Solomon and Kitovras’, in which he is tricked into building the temple for King Solomon. While held in captivity, Kitovras tells Solomon how to obtain the stone needed to build the temple and stays with him through its completion. When Solomon doubts Kitovras’ strength, Kitovras throws him to the edge of the Promised Land, but the king eventually returns and takes back the throne.