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LOT 1955
Russian Orthodox Enamelled Bronze Travel Icon with Saint Julyttas and Her Son Cyricus
19TH CENTURY A.D.
5 1/4 in. (325 grams, 13.5 cm).
With polychrome enamel in green, blue and yellow, framed by a square border with pointed doom, representing Saint Julyttas and her son Cyricus, surrounded by Saints; on the top, Christ Pantokrator, nimbate, making the gesture of blessing and holding a Gospel, seated upon a cloud and surrounded by Cyrillic letters 'ΙC ΧΡ' (Jesus Christ); Cyrillic inscriptions above some of the saints.
ProvenanceAcquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1.
From the private collection of a West London, UK, gentleman, formed since the early 2000s.
Cf. Eighme Ahlborn, R., Beaver-Bricken Espinola, V., Russian Copper Icons and crosses from the Kunz Collection: Castings of Faith, Washington, 1991, no.25819.206, p.70, for a similar iconography.
FootnotesMade of bronze with brightly coloured enamels, this icon was intended for private devotion, often carried by pilgrims and Orthodox believers for spiritual protection. St. Julyttas and her son Cyricus (Ки́рик и Иули́тта), among the most venerated figures in Russian tradition, are depicted in the centre, surrounded by other saints, a symbol of the communion of the righteous.
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AUCTIONS:
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LOT 1955
Russian Orthodox Enamelled Bronze Travel Icon with Saint Julyttas and Her Son Cyricus
Sold for (Inc. bp): £208
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Post-Classical Green Glass Cameo of Man
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Post Medieval Banded Agate Cameo of a Woman in Gold Ring
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Opening Bid: £375
Hollow-formed with pie-dish bezel and inset cameo. 3.17 grams, 21.26 mm overall, 17.72 mm internal diameter (approximate size British L, USA 5 3/4, Europe 11.24, Japan 10)
Private collection, Europe. Acquired on the English art market.
The cameo is Italian and carved in the classical style of the 2nd century AD, although it dates to the 18th century. Her hair is tied back, and she is wearing a double-banded diadem. The agate displays a deep umber hue, with the bust depicted in light bluish white with highlights of light caramel. In the late 18th century, interest in the classical world became exponentially high, and demand became great for objects from or relating to the ancient world. The high-carat gold ring dates to the late 18th century; there is a small dent to the shoulder of the band.