Loading, please wait...

Russian Orthodox Enamelled Bronze Travel Icon with Saint Julitta, Cyricus and Deesis Russian Orthodox Enamelled Bronze Travel Icon with Saint Julitta, Cyricus and Deesis Russian Orthodox Enamelled Bronze Travel Icon with Saint Julitta, Cyricus and Deesis
Use mousewheel to zoom in and out, click to enlarge
Details

LOT 2013

Russian Orthodox Enamelled Bronze Travel Icon with Saint Julitta, Cyricus and Deesis

19TH CENTURY A.D.

5 1/2 in. (360 grams, 14 cm).

With blue enamel and framed by a raised border; Saint Julitta and her son, Cyricus, Saint Gregory the Theologian and Saint John the Chrysostom standing beside them at the centre; three half-length figures above: St. Paraskeva (right), Eudokia, and Barbara (left); OCS inscriptions identifying the saints framing the scene; on the top a deesis, with Christ Pantokrator at the centre, flanked by Saint Mary and Saint John the Precursor; at the top left corner Archangel Michael, on the top right corner the Archangel Gabriel; beneath Saint Gabriel, in vertical order, Saint Paul, Saint Gregory the Theologian, Saint Nicholas of Myra, Saint Demetrios; beneath Saint Michael, in vertical order, Saint Peter, Saint Basil the Great, Saint John Chrysostomos and Saint George; in the last row, nearby Saint Andrew, at the centre, the Archangel Raphael, with sword and cross.

Provenance

Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1.
From the private collection of a West London, UK, gentleman, formed since the early 2000s.

Literature

Cf. Eighme Ahlborn, R., Beaver-Bricken Espinola, V., Russian Copper Icons and crosses from the Kunz Collection: Castings of Faith, Washington, 1991, nos.25819.130 and 25819.133, pp.49,58, for similar iconography.

Footnotes

This icon was intended for private devotion, often carried by pilgrims and Orthodox believers for spiritual protection. St. Julyttas and her son Cyricus (Ки́рик и Иули́тта), among the most venerated figures in Russian tradition, are depicted in the centre, surrounded by other saints, a symbol of the communion of the righteous in front of the Divine Deesis.

CONDITION
VETTING:

TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process


AUCTIONS:

TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.

LOT 2013

Russian Orthodox Enamelled Bronze Travel Icon with Saint Julitta, Cyricus and Deesis

Sold for (Inc. bp): £234

Print page

RELATED LOTS
  • Simonetta and Renée, Grand Hotel de Milan Editorial Proof by Helmut Newton
    'Simonetta and Renée, Grand Hotel de Milan' Editorial Proof by Helmut Newton
    Dated 9 January 1998 A.D.

    Sold for (Inc. bp): £715

    Framed with a white card reveal, monochrome image of a young woman smoking a cigarette wearing an eye-mask; with collector's slip stating (inter alia) 'Archive Date: 9/01/98' and 'Historical Significance: Shot in late 1997 by the 'King of Kink', this photograph epitomises Newton's lifelong obsession with old-world European grand hotels as cinematic backdrops for high-society mystery and female empowerment. Because the Madrid proof is dated January 1998, it represents a highly coveted "contemporary press proof" - printed and evaluated in real-time immediately following the image's original media debut.' 174 grams, 35.5 x 28 cm including frame



    Acquired on the UK art market. Property of a Harwich, UK, collector.

    Lot Details

  • Nuremberg Brass Lion Statue
    Nuremberg Brass Lion Statue
    Germany, 16th century A.D.

    Estimate: £500 - 700 (+bp*)

    Opening Bid: £250

    Modelled in a half-seated pose, gazing upwards with compact body, broad forequarters, the mane rendered in long, parallel strands; the tail emerging from underneath the body and resting diagonally on top of the neck. 855 grams, 96 mm



    Acquired on the European art market.

    The treatment reflects the continuation of late Gothic conventions within German workshops, while also aligning with the more classicising tendencies found in North Italian bronze production of the period. The anatomical structure is simplified yet purposeful, characteristic of functional or cabinet bronzes produced across central Europe in the sixteenth century. Its scale and form correspond to small bronzes intended for Kunstkammer settings or as elements within larger composite objects such as inkstands or caskets, where the lion served as an emblem of vigilance, authority, and learned taste.

    Lot Details

  • Tudor Period Bronze Hook Fastener Group
    Tudor Period Bronze Hook Fastener Group
    Circa 16th century A.D.

    Sold for (Inc. bp): £26

    Comprising: an openwork fastener with a cross motif; a fastener with a Tudor rose; an openwork fastener with a six-petalled flower. 7.52 grams total, 34-39 mm



    From the private collection of Graham Slater (1927-2024), Cambridge, UK; formed 1980s-1990s.

    Lot Details

Stay up-to-date with the latest from TimeLine Auctions by joining our mailing list