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LOT 2015
Russian Orthodox Enamelled Bronze Travel Icon with Saint Antipas of Pergamum
19TH CENTURY A.D.
4 3/8 in. (238 grams, 11.3 cm).
Representing Saint Antipas with a Gospel in his left hand and making the gesture of blessing with his right, dressed as a bishop, with sticharion, covered by omophorion, and surmounted by an epitrachelion; the Mandylion at the centre above the saint, Saint Mary on the left panel and Jesus on the right; Old Slavic inscription around the figures: 'ΙC ΧΡ' (Jesus Christ); 'ΜΡ ϴΥ'(Mother of God); Saint Antipas of Pergamum (Св Анти́па Перга́мский).
ProvenanceAcquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1.
From the private collection of a West London, UK, gentleman, formed since the early 2000s.
Cf. Eighme Ahlborn, R., Beaver-Bricken Espinola, V., Russian Copper Icons and crosses from the Kunz Collection: Castings of Faith, Washington, 1991, nos.25819.133, p.58, for similar iconography.
FootnotesThe icon features meticulous craftsmanship typical of Orthodox iconography. Saint Antipas was popularly held to be a healer of tooth problems. He was martyred by burning in a brazen bull-shaped altar under the Emperors Nero or Domitian.
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AUCTIONS:
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LOT 2015
Russian Orthodox Enamelled Bronze Travel Icon with Saint Antipas of Pergamum
Estimate £250 - 350€290 - 410 (for guidance only)$340 - 470 (for guidance only)
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Replica of David Statue by Michelangelo
Late 19th-20th century A.D.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
A composition statue modelled after the Italian Renaissance masterpiece sculpted by Michelangelo, David depicted nude in a contrapposto position, carrying the weight on his right leg, holding the sling in his raised left hand, and the handle of the sling placed in his right hand, with a large ivy leaf covering his genitals; restored. 18.75 kg, 82.5 cm high
Private collection, London.
Michelangelo created the original sculpture between 1501 and 1504, and it was originally commissioned as one of a series of statues of twelve prophets. However, it was then placed in the public square in front of the Palazzo della Signoria. -
Theriaca 'Venice Triacle' Lead Box Lid
Italy, Venice, 17th century A.D.Sold for (Inc. bp): £260
Discoid in plan with lip to underside, central low-relief motif of a laureate and draped Roman-style bust with a nimbate lion of St. Mark, within a band inscribed 'TERIACA F ALLA TESTA DORO IN VENET'; all within outer band containing laurel wreath. 31 grams, 45 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
Theriaca or ‘Venice treacle’ was a medicinal compound used since the time of Mithradates VI of Pontus as an antidote against any poisonous bite. -
Russian Orthodox Enamelled Bronze Travel Icon with the Old Testament Trinity
19th century A.D.Sold for (Inc. bp): £117
Depicting the Holy Trinity, represented by three winged figures, each with a three-prong staff, sitting on stools around a table with three cups, trees and the outline of a cathedral behind. 67.5 grams, 62 mm
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
The subject is based on the traditional Russian interpretation of Genesis,18, in which three figures appear to Abraham at the oak tree of Mamre. The central figure is usually identified as Jesus Christ, while God the Father is on the right and the Holy Spirit on the left. The subject of the icon originated from a very famous 15th century painting by Andrei Rublev.
