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LOT 1972
Russian Orthodox Enamelled Bronze Travel Icon with Christ Flanked by Mary, Maria, and Saint John
19TH CENTURY A.D.
6 1/2 in. (270 grams, 16.6 cm).
Representing the Saviour on the cross, the titulum inscribed with the letters 'ΙC ΧΡ' (Jesus Christ); Cyrillic inscriptions over the sun (Солнце) and the moon (Луна), flanking Jesus and above the heads of the figures: Mary of Magdala (Мария Магдала), the Mother of God ('ΜΡ ϴΥ'), Saint John the Theologian (Св Иоанн) and Saint Longinus (Св Лонгин); on the background the symbols of the Passion (sponge on reed, spear and a skull set on stones marking the site as Golgotha, twisted cords or wire, skan) and the city of Jerusalem; on the upper part of the cross the Archangels Michael and Gabriel with cloth-covered hands, the Mandylion above them.
ProvenanceAcquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1.
From the private collection of a West London, UK, gentleman, formed since the early 2000s.
Cf. Eighme Ahlborn, R., Beaver-Bricken Espinola, V., Russian Copper Icons and crosses from the Kunz Collection: Castings of Faith, Washington, 1991, nos.25819.003ff., pp.42ff., for similar iconography.
FootnotesOrthodox travel icons were used by the faithful to carry a sacred representation with them during their journeys, offering protection and a constant spiritual connection. The icon features meticulous craftsmanship with intricate details of the Passion and Death of the Saviour, according to the Byzantine iconography.
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AUCTIONS:
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LOT 1972
Russian Orthodox Enamelled Bronze Travel Icon with Christ Flanked by Mary, Maria, and Saint John
Estimate £200 - 300€230 - 350 (for guidance only)$270 - 410 (for guidance only)
Opening Bid
£110 (EUR 128; USD 149) +BP*
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Silver-Gilt Mounted Jet 'Figa' Amulet
Spain, 17th century A.D.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Formed as a hand showing figa gesture, silver mount with applied twisted wires; attachment loop and ring to the top. 19.6 grams, 56 mm
Private collection, Europe. Acquired on the English art market.
Mano Fico, as protective amulets, have been used since antiquity. It was believed to protect from the evil eye and other dark and magical forces and to promote fertility. In ancient Rome, the fig sign, or mano fico, was made by the pater familias (father of the family) to ward off the evil spirits of the dead as a part of the Lemuria ritual. The ancient Greeks wore amulets of the gesture around the neck to protect from the evil eye, and also used the gesture in artwork. What they considered an overtly sexual gesture was expected to distract evil spirits from causing harm. The pendant would have been worn from a belt or from a chatelaine containing other protective talismans. This carving would have served as a token representing a person's pilgrimage to Santiago de Compostela, one of the very few places in which jet can be found and mined since at least the Middle Ages. -
Original General Electric 'Frigéco' Poster
1950s A.D.Estimate: £40 - 60 (+bp*)
Opening Bid: £5
Landscape-format commercial poster for the Francophone refrigerator market: white ground with overprinted green field, black and red detailing; ident number 'REF/263' to lower left. 17 grams, 80 x 28 cm
Acquired on the UK art market. Property of a Harwich, UK, collector.
General Electric white goods were marketed in French-speaking markets by the Frigéco company in the post-WWII era. -
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20th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
Oval cameo with the face of Medusa with flowing hair, furrowed brow and piercing gaze. 1.48 grams, 14 mm
Acquired on the European art market.