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LOT 2140
Russian Orthodox Enamelled Bronze Travel Icon with Christ Flanked by Mary, Maria, and Saint John
19TH CENTURY A.D.
6 1/2 in. (270 grams, 16.6 cm).
Representing the Saviour on the cross, the titulum inscribed with the letters 'ΙC ΧΡ' (Jesus Christ); Cyrillic inscriptions over the sun (Солнце) and the moon (Луна), flanking Jesus and above the heads of the figures: Mary of Magdala (Мария Магдала), the Mother of God ('ΜΡ ϴΥ'), Saint John the Theologian (Св Иоанн) and Saint Longinus (Св Лонгин); on the background the symbols of the Passion (sponge on reed, spear and a skull set on stones marking the site as Golgotha, twisted cords or wire, skan) and the city of Jerusalem; on the upper part of the cross the Archangels Michael and Gabriel with cloth-covered hands, the Mandylion above them.
ProvenanceAcquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1.
From the private collection of a West London, UK, gentleman, formed since the early 2000s.
Cf. Eighme Ahlborn, R., Beaver-Bricken Espinola, V., Russian Copper Icons and crosses from the Kunz Collection: Castings of Faith, Washington, 1991, nos.25819.003ff., pp.42ff., for similar iconography.
FootnotesOrthodox travel icons were used by the faithful to carry a sacred representation with them during their journeys, offering protection and a constant spiritual connection. The icon features meticulous craftsmanship with intricate details of the Passion and Death of the Saviour, according to the Byzantine iconography.
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AUCTIONS:
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LOT 2140
Russian Orthodox Enamelled Bronze Travel Icon with Christ Flanked by Mary, Maria, and Saint John
Estimate £250 - 350€290 - 410 (for guidance only)$340 - 470 (for guidance only)
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Large Renaissance Stone Statue of Standing Male
Northern Italy, 16th-17th century A.D.Estimate: £2,500 - 3,500 (+bp*)
Opening Bid: £1,250
Modelled in the round wearing a long tunic and a palla draped over his left shoulder, leather sandals with straps on his exposed feet. 87 kg, 100 cm
Private collection, France. Private collection, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13083-246798.
The statue, certainly intended for ecclesiastical decoration, most likely represents one of the apostles or prophets, or an Evangelist. These are Mannerist statues, executed with great sculptural skill, intended to adorn the large tomb complexes of wealthy families housed in the Catholic cathedrals of Renaissance Europe. -
Stuart Period Gold Mourning Ring with Rock Crystal Gemstone
England, 18th century A.D.Sold for (Inc. bp): £2,860
Decorated with black enamelled foliate engraving; bezel set with a table cut rock crystal compartment containing some hair of the deceased; inner face engraved ‘Capt(ain). G Squrritt ob 1 Jan 1724’ and the maker's mark ‘GE’. 3.33 grams, 20.04 mm overall, 17.17 mm internal diameter (approximate size British M, USA 6, Europe 12.46, Japan 12)
Private collection, Europe. Acquired on the English art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13055-248357.
Mourning rings were made to commemorate the death of an individual. Similar examples are held in the British Museum's collection, including AF.1547; AF.1551; AF.1550; AF.1552; AF.1549. While the majority of mourning rings tend to refer to the deceased by initials and death only, this ring mentions the deceased's family name in full, which is usually the case for people of note/influence. -
Stuart Period Carved Bone Janus Chaplet Bead
France, 17th century A.D.Sold for (Inc. bp): £819
Janiform, carved with the head of Christ to one side and to the other a skull, from a Rosary; with a turned bronze display stand. 100 grams total, 48 mm includin stand
Private collection, Europe. Acquired on the English art market.
Originally part of a rosary; the head of Christ acting as an object of personal devotion, the skull as a reminder of his great sacrifice for our sins and of our own mortality. The gentle wear and warm patination are a testament to the years of devoted veneration by its previous owners.
