Loading, please wait...

Russian Icon of the Hodegetria of Constantinople Russian Icon of the Hodegetria of Constantinople Russian Icon of the Hodegetria of Constantinople
Use mousewheel to zoom in and out, click to enlarge
Details

LOT 0323

Russian Icon of the Hodegetria of Constantinople

19TH CENTURY A.D.

11 3/4 x 9 1/2 in. (869 grams, 29.8 x 24 cm).

An icon of Hodegetria with the Virgin wearing a red maphorion embroidered with gold, a dark veil and a dark chiton with double gold embroidery on the cuffs; holding the Child on her left arm and gesturing towards him with the right hand; the Child wearing a yellow brown, gold-woven chiton, holding a scroll in his left hand, while the right one is making the gesture of blessing; the angels Michael and Gabriel to the left and right of the Virgin; on each side of the head of the Virgin inscriptions 'ΜΡ' and 'ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), inscription in Greek letters 'IC XC' (IHCOYC XPICTOC = Jesus Christ) above the child, three letters inside the nimbus of Christ representing the continuous divine self-existence of Christ as God ('O ѾN' = The Only One who always exists); the names of the angles inscribed next to each figure (Aghios Michail and Aghios Gavriil).

Provenance

Property of a London lady, part of her family's collection.

Literature

Cf. Lidov, A., 'The flying Hodegetria the miraculous icon as bearer of sacred space' in Thunø, E., Wolf, G. (eds.), The miraculous image in the Late Middle Ages and Renaissance. Papers from a conference held at the Accademia di Danimarca in collaboration with the Bibliotheca
Hertziana (Max-Planck-Institut für Kunstgeschichte), Rome, 31 May - 2 June 2003,
Rome 2004, pp. 273-304 (Analecta Romana Instituti Danici : Supplementum ; 35), fig.10, for a photo of the original icon.

Footnotes

The painting is a copy of the famous replica of the Hodegetria of Constantinople, a Byzantine icon of 14th century, repainted by the icon painter Dionisi in 1482, and today preserved in State Tretyakov Gallery, Moscow. The original icon was destroyed by the Turks at the capture of Constantinople in 1453. The replica was venerated as an 'original' real Hodegetria in the Ascension Convent in Kremlin, Moscow. The icon led the liturgical processions on June 23, August 26, May 21 and October 22 in which the Patriarchs and the Russian Tsars took part.

CONDITION
VETTING:

TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process


AUCTIONS:

TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.

LOT 0323

Russian Icon of the Hodegetria of Constantinople

Sold for (Inc. bp): £715

Print page

RELATED LOTS
  • Ethiopian Processional Cross
    Ethiopian Processional Cross
    17th-18th century A.D.

    Sold for (Inc. bp): £715

    A bifacial wooden Qäqwami Mäsqäl processional cross, three-lobed extremities on three sides, decorated with geometric motifs representing crosses of different types, supported by a lanceolate shaft with two round openwork openings; socketted shaft with vertical grooves and fitted with a double horizontal groove; inscriptions on two of the lobed sides of the cross; accompanied by a custom-made display stand. 600 grams, 42 cm high (49cm high including stand)



    Acquired on the London art market, 2003. UK private collection.

    The large wooden crosses are often used by ddbtdras, who are unordained members of the Orthodox Ethiopian clergy, for their liturgical dance. In the countryside, one or two of these crosses are kept on the church window-sills close to the area where the dance is performed, instead of being kept in the church storehouse. Sometimes they are mounted upon a shaft and worn in procession. The characteristic feature of a processional cross is a socketted shaft which serves for mounting them on a strong pole known as masor or handle. Although technically the shaft serves to support the cross, according to the interpretation of Ethiopian church scholars, its real function is to protect the cross from being touched.

    Lot Details

  • Naples Cameo Group
    Naples Cameo Group
    Late 19th century A.D.

    Sold for (Inc. bp): £72

    A group of four coral cameos displaying ladies of fashion in relief, each individual in pose, character and detail. 1.49 grams total, 8-12 mm



    From the collection of G.M.R.H., London, UK.

    Lot Details

  • Marble Bathing Venus
    Marble Bathing Venus
    Neoclassical, 19th century A.D.

    Sold for (Inc. bp): £1,235

    A marble interpretation of the famous 'Bathing Venus' (Pudica Venus) statue, modelled naturalistically in the round, nude, hair piled behind her head, holding her garment to her breast, standing on a composite discoid base imitating a stone pavement, with a casket at her feet; after Giambologna's Renaissance original; restored. 21.2 kg, 78 cm high

    Old repair to neck.

    French collection, 1960s-early 2000s. From an important Paris gallery, France.

    The original 'Bathing Venus' statue in bronze has been attributed to Giambologna (Giovanni da Bologna) (1529-1608), and was probably created for King Henry IV of France as a diplomatic gift from Ferdinando I de’ Medici, Grand Duke of Tuscany. This is a neoclassical interpretation of that Renaissance statue.

    Lot Details

Stay up-to-date with the latest from TimeLine Auctions by joining our mailing list