Russian Bronze Travel Icon with the Three Hierachs of Orthodoxy

With narrow shank and fleur-de-lys to each shoulder supporting an ellipsoid cell with inset carnelian intaglio profile bust of Nero with solar crown; supplied with a museum-quality impression. 3.64 grams, 22.23 mm overall, 20.44 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)



Private collection, Europe. Acquired on the English art market.

Nero, who reigned as Roman Emperor from 54 to 68 AD, is one of history’s most infamous rulers, known for his extravagant lifestyle, ruthless rule, and controversial actions. Born as Lucius Domitius Ahenobarbus, he was adopted by his great-uncle, Emperor Claudius, and ascended the throne at the age of 16, initially under the guidance of his mother, Agrippina the Younger, his tutor Seneca, and the Praetorian Prefect Burrus. Early in his reign, Nero promoted arts and cultural projects and enjoyed popularity, but as he gained autonomy, he became increasingly tyrannical. He allegedly ordered the deaths of his mother, wife, and other prominent figures. Nero is often (though likely inaccurately) associated with the Great Fire of Rome in 64 AD, after which he blamed and persecuted Christians, marking one of the earliest recorded persecutions of the group. His reign ended in turmoil and revolt, leading to his suicide in 68 AD, which marked the end of the Julio-Claudian dynasty. His legacy remains controversial, remembered as both a patron of the arts and an archetype of a decadent, cruel autocrat.

Oval in plan with a vivid polychrome enamel scene on a black ground to the upper face of the lid, within a gilt-copper frame: Mercury, identifiable by his winged helmet and caduceus, standing beneath a classical arch flanked by stylised columns and vases of flowers; above the entablature, a canopy held aloft by two snails, with twin ewers crowning the upper corners and issuing stylised streams; the architectural and ornamental elements highlighted with translucent and opaque enamel, highlighted with gilding and intricate punchwork; the frame with a guilloche border, surmounted by a pierced rocaille loop with a scallop motif, and terminating below in a turned pendant finial; the sides of the frame engraved with a delicate foliate frieze, the reverse flat-chased with three vases of stylised flowers issuing from scrolled supports, framed above by draped swags, butterflies, and a winged cherubic mask; the case hinges open at the top, the interior, originally fitted with mirrored glass, now partially oxidised but retaining areas of reflection. 168 grams, 14.4 cm



Private collection, France. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12998-246011.

The enamel composition is directly derived from a print by Étienne Delaune (1518/19-1583), from his series Grotesques à Fond Noir, Dieux et Déesses, created in France c.1550-1572, before he departed for Strasbourg. Delaune’s engravings were a principal source for Limoges enamellers of the late 16th and early 17th centuries, particularly in the production of oval mirror plaques for personal toilette or cabinet display.

Ellipsoid with reserved profile of Karl Theodor Anton Maria Von Dalberg facing left, attributed to Johann Martin Bückle (1742-1811). 3.52 grams, 25 mm



Private collection, Europe. Acquired on the English art market.

Karl Theodor Anton Maria von Dalberg (February 8, 1744 – February 10, 1817) was a Catholic German bishop and statesman. Throughout his career, he held various significant positions, including Prince-Archbishop of Regensburg, Arch-Chancellor of the Holy Roman Empire, Bishop of Constance and Worms, Prince-Primate of the Confederation of the Rhine, and Grand Duke of Frankfurt.