Roman Yellow Glass Bead Necklace String

A life-size bust showing the head turned slightly to the left, an expression of dignity on her face with broad cheeks and pronounced cheekbones, heavy eyelids with narrow eyes, gentle depressions around the full lips; hair arranged in tight curls leaving the ears exposed, small braids gathered and tied at the back with a double thong with two corkscrew curls falling on each side of the neck; the lower part of the neck framed by delicate folds of a tunic, palla covering her left shoulder; mounted on a custom-made display stand. 37.35 kg total, 43.5 cm including stand



Professor Elia Volpi (1858-1938) collection, Florence, prior to 1910. Vente de la Collection Elie Volpi; Hotel de Ventes Jandolo & Tavazzi, Florence, 25 April-3 May 1910, no.53, pl. XCII (illustrated). Private collection, France, likely Château de Beaumesnil, near Rouen. Provenant du Château de Beaumesnil et du Château de T...Objets d'Art et de Bel Ameublement Principalement du XVIIIe, Palais des Congres, Rouen, 20 February 1983. Anonymous sale; Hindman, Chicago, 25 May 2023, no,194. Acquired by the present owner at the above sale. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12768-237645. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

This portrait is striking due to the delicate yet exotic features of the subject and her elaborate coiffure. The sculpture was produced during a formative and highly sophisticated phase of Roman art, and during a time when portraits of women are much less common than those from later Imperial times. The preparation for a patch at the back of the head is seemingly ancient. Although she remains anonymous, given the sculpture's scale and scope, one can assume it portrays a person of note, who wished to be represented with the ideal and distinctive features of a Roman aristocrat. For a comparable portrait bust, see Agrippina Minor at the NY Carlsberg Glyptotek, Copenhagen (Acc. no.755).

A terminal depicting a wolf's head with fierce expression, fur detailing to the neck and snout, possibly a knife pommel. 17.4 grams, 27 mm

Fine condition.

Property of a North West London gallery; formerly in a 1980s collection. From the private collection of John Meredith, acquired since the 1990s; thence by descent. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

A biconical facetted lentoid-section lead sling shot (glans), inscription monogram a combination of letters 'C', 'A' and 'E', for 'C A E S' referring to Julius Caesar. 38.6 grams, 31 mm



Acquired on the UK art market. Property of a gentleman collector. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 4th May 2022 and titled 'Roman Res Publica - Lead Slingshots (glandes) of Caesarian Age - 45 B.C circa'. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The shot (type IIb of the Völling classification) is marked with the abbreviated name of Julius Caesar; vast quantities were used at the Battle of Munda (or Monda) against the last supporters of Pompey, the leaders of the Optimates, on the 17th March 45 BC. Similar shots were used during Caesar's wars. The slingers of Caesar's age were part of the light infantry. Caesar speaks of his Balearic slingers during the conquest of Gaul. They wore a short tunic, with leather or rope sandals to the feet, and a warm overcoat which could also have been used to store projectiles. They also used a satchel to carry deadly lead-like stones or bullets.