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LOT 0112
Roman Vessel with Actor's Mask Handle
EARLY 3RD CENTURY A.D.
5 1/4 in. (695 grams, 13.2 cm).
A squat jar in lead-rich copper-alloy with concentric rings to the base, bulbous body, trefoil mouth with egg-and-dart detailing, strap handle with vine-leaf detailing, actor's mask at the lower end and a lion's head with open mouth at the other.
ProvenanceAcquired on the Swiss art market, 2001.
Private European collection.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12586-232162.
Exhibited at the Harwich Museum, Harwich, Essex, UK, 8th June 2026-14th September 2026; accompanied by a copy of a photograph of the artefacts on display.
LiteratureCf. Nuber, H.U., Kanne und Griffschale. Ihr Gebrauch im täglichen Leben und die Beigabe in Gräbern der römischen Kaiserzeit, BRGK 53, 1972 (1973), 1–232, pp.45-54 (esp.48-52), fig.7a-d, pl.3, no.2, 4 no.1, 7 nos.1-4; Petrovszky, Studien zu römischen Bronzegefäßen mit Meisterstempeln, Kölner Studien zur Archäologie der Römischen Provinzen 1, Buch am Erlbach 1993, p.112, for jugs with actor’s mask; for examples of Roman jugs in precious metal of this typology represented in Roman art, Mustata, S., The Roman Metal Vessels from Dacia Porolissensis, Cluj-Napoca, 2017, fig.7; for similar specimen in copper-alloy idem, pl.XXIII, and no.30, from Cluj-Napoca.
FootnotesThis type of vessel (spouted jugs with trefoil mouth) was part of Roman and provincial bronze instrumentum domesticum, i.e. culinary or domestic utility ware. The typology was assigned by H.U. Nuber to the E type (Millingen type), pieces characterised by a trefoil, highly splayed rim, a short neck and usually a spherical body.
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LOT 0112
Roman Vessel with Actor's Mask Handle
Estimate £2,000 - 3,000€2,320 - 3,480 (for guidance only)$2,700 - 4,050 (for guidance only)
Opening Bid
£1,000 (EUR 1,160; USD 1,350) ‡+BP*
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Roman Gemstone Group
2nd-3rd century A.D.Estimate: £80 - 100 (+bp*)
Opening Bid: £5
Including nude standing female, altar with pediment, profile bust, ant and other types; each supplied with a museum-quality impression. 3.38 grams total, 9-13 mm
From the private collection of a European gentleman (1942-2024), formed since the 1970s. -
Roman Silver Ring with Carnelian Gemstone with Flaming Altar
2nd-3rd century A.D.Estimate: £150 - 200 (+bp*)
Opening Bid: £75
Facetted hoop with rectangular bezel set with a raised intaglio with a flaming altar; accompanied by a museum-quality impression. 4.69 grams, 18.39 mm overall, 15.64 mm internal diameter (approximate size British F 1/2, USA 3, Europe 4.3, Japan 4)
UK private collection before 2000. London collection, acquired on the UK art market. -
Roman Terracotta Bullae, Tesserae or Token Group
3rd century B.C.-1st century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £5
A mixed group of ceramic bullae, tesserae or theatre tokens bearing low-relief motifs, mainly consisting of profile busts of deities. 34.4 grams total, 14-21 mm
From the private collection of a European gentleman (1942-2024), formed since the 1970s.
The term 'tessera' was used in Roman times to convey the Greek term σύμβολον (token). Small tiles are known as tokens, often shaped like coins, made of metal (copper, lead, iron), clay, bone, wood, or glass, stamped as well as engraved. The tokens, however, are not exclusively coin-shaped, as the Latin term 'tessera' refers to a four-sided shape. Tokens and tesserae seem to have been used both in Athens and Rome for the distribution of goods. According to written sources, the term ‘token’ is identified with credentials of the official authorities. They have also been interpreted as tokens of identity, as entrance tickets to theatre performances, tribunals or assemblies of citizens, archival material of seal engraving, as pawns in games, Charon’s obols and even as amulets.