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LOT 0877
Roman Vessel Lid with Male Youth Wearing a Chlamys
1ST-3RD CENTURY A.D.
3 1/8 in. (366 grams, 80 mm).
Discoid base supporting a seated youth with legs crossed, wearing a chlamys, his left hand supporting fruit in the folds of the cloth and right hand holding one; base pierced; transverse wire to sides of the head, ring above.
ProvenanceFrom the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Roman Gryllus Gemstone
2nd-5th century A.D.Sold for (Inc. bp): £195
Ellipsoid in plan with incuse Abraxas motif. 1.13 grams, 16 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Green and Blue Glass Bead Necklace String
1st-4th century A.D. and laterSold for (Inc. bp): £78
Restrung group including facetted fusiform, biconical, polyhedral and other beads. 15.9 grams, 40 cm
Acquired on the London art market in the late 1980s-1990s. From the family collection of an East London, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Large Roman Bronze Statue of Venus
1st-2nd century A.D.Sold for (Inc. bp): £7,800
Modelled in the round, the goddess standing nude on a socle base and holding a frond in her extended left hand; right hand with thumb and forefinger extended; crown of oak leaves encompassing her chignon. 996 grams, 27.3 cm
with Sotheby's, New York, 7 December 1973, no.78. Private collection, London. Accompanied by copies of the relevant Sotheby's catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12819-241350. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Venus Anadyomene shows the birth of the Goddess of Love, conceived in the womb of the sea after the Titan Chronos castrated his father, Uranus, and cast his genitals into the water. Venus was born from the sea, fully grown. In ancient tradition, Aphrodite had her great sanctuary at Paphos, because it was here that she was thought to have risen from the water. Apelles, the great painter, was said to have painted the original, creating the prototype then imitated in paintings, sculptures, and across Graeco-Roman iconography. However, his work is now lost, and from the late 2nd century/early first century B.C. until the late antique period, the Anadyomene appeared in nearly every format imaginable. Like many other naked Aphrodites, the Anadyomene was not posed to conceal the body, but was naked and unashamed, exposing the goddess’ body to the gaze of the viewer.
