Roman Translucent Glass Flask with Engraved Rings

The monogram in Latin letters, ('R'+'M'+'A', with the 'O' represented by the circular plan of the brooch itself), a palindrome 'AMOR'; complete with pin. 10 grams, 35 mm



From the collection of Alan Hardcastle. Ex private Merseyside, UK, collection.

The brooch is composed of the stylised letters ‘RMA’. When viewed from the obverse RMA + the circle of the brooch form a monogram for ‘Roma’. Roma refers to both the city and its divine personification, the Dea Roma. But if RMA is read from right to left (or the brooch is viewed from the opposite side), the letters display a monogram for ‘AMOR’, the Latin name for Cupid, the god of love. The phrase pertains to Roma-Amor, a widely recognised palindrome espousing Roman wordplay in the ancient times.

Composed of a variety of ring types and sizes from various time periods, including examples with decorative bezels. 86 grams total, 14-24 mm



Acquired on the German art market around 2000s. From the collection of an EU gentleman living in the UK.

The fighting venator dressed in a long sleeved tunic embroidered with orbiculi and pectorarin, segmenta on the sleeves, brandishing a javelin of venabulum type; suspension loop to the reverse. 18 grams, 70 mm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

The combat scene is likely a reference to the gladiatorial fights between men and animals; such games in the arena were a principal form of entertainment through the Roman Republic and Roman Empire. Both men and women would partake in such fights. The venatores (hunters) were the most specialised in this field, fighting with a spear with winged blades and long knives (culter venatorius).