Roman to Medieval Iron Artefact Group

Decorated with a frieze of foliage and volutes from which a blossom is springing, the image framed by a green band of arrows, an ochre and cream line border below; background painted in magnificent rosso pompeiano (Pompeian red); mounted on a custom-made display stand. 1.26 kg total, 17 cm high including stand



From a European collection formed in the 19th century or earlier, based on the custom-made tooled leather box similar to another fragment kept in a case of similar manufacture with a label reading 'Fragment de Pompéi provenant de la vente Préat 1868' sold at Sotheby's New York, 12 December 2013, lot 84. Mitsukoshi department store, Nihonbashi, Tokyo, by 1974. Japanese art market, 1974-1978. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no 11826-207724.

Our painted stucco was probably part of a decorative frame, like that visible in the cubiculum of the Villa of P. Fannius Sinistor, in Boscoreale, which is earlier but represents a model of continuity through the decoration of the Roman walls. This filling of the tablinum and other rooms with ornamental plant-type columns and panels decorated with leaves and plant scrolls is found in Pompeii in certain houses, such as that of Caecilius Jucundus.

Restrung; composed of graduated opaque black glass beads of various types. 13.7 grams, 42 cm long



Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance.

Comprising three flat-section bracelets with overlapping rounded terminals. 41 grams total, 61-68 mm



From the family collection of a Surrey gentleman since before 1960.

Bracelets were worn in Rome by ladies of rank, but it was considered a mark of effeminacy for civilian men to use such female ornaments (Suetonius, Caligula, 52; Nero, 30). The armillae (or psellia in Greek) were rings and bracelets worn by women in the Graeco-Roman world on both legs and arms. Homer mentions them (elikas) as being part of the hairstyle of the divine Aphrodite, thus giving an almost sacred character to these objects. There were different types, the most common consisting of a more or less thick metal wire, or a flat or cylindrical circle, like our examples.