Roman Terracotta Wine Jug

Fragments of wall plaster with rendered surface painted with mainly Pompeii red, pale blue, brown and white detailing; some with an impression of timber laths to the reverse. 868 grams total, 79-98 mm



Acquired in the 19th century. Ex Jeger collection, Switzerland. UK gallery, early 2000s.

These small fragments, for analogies with the fragments of Pompeii, seem to belong to the second style of Roman painting, red panels representing highlight and shadow, decorated with vegetal interlaces. A red grenade fillet probably framed some panels. A fragment shows alternate blue and red colours over a cream background, maybe pertinent to a socle.

A mixed group of ceramic bullae, tesserae or theatre tokens bearing low-relief motifs, mainly consisting of profile busts of deities. 34.4 grams total, 14-21 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

The term 'tessera' was used in Roman times to convey the Greek term σύμβολον (token). Small tiles are known as tokens, often shaped like coins, made of metal (copper, lead, iron), clay, bone, wood, or glass, stamped as well as engraved. The tokens, however, are not exclusively coin-shaped, as the Latin term 'tessera' suggests by etymologically referring to a square or at least a four-sided shape and confirmed in several cases by material remains of the past. Tokens and tesserae seem to have been used both in Athens and Rome for the distribution of goods. According to written sources, the term token is identified with credentials of the official authorities. They have also been interpreted as tokens of identity, as entrance tickets to theatre performances, tribunals or assemblies of citizens, archival material of seal engraving, as pawns in games, Charon’s obols and even as amulets.

Comprising a biconvex body with applied basal ring, tubular neck with carinated rim, ribbed strap handle to the rear. 196 grams, 12.6 cm



From the collection of the late Bernard C. Pickard, Hampshire, UK, the owner of Bernard C. Pickard Antiquities, which closed in 1987, he had been collecting since the mid 1950s.

Bernard Pickard was a close friend of Richard Hattatt, the renowned author of several books on ancient brooches. Hattatt acknowledges in his first book, Ancient & Romano-British Brooches, published in 1982, that Mr Pickard first aroused his interest in brooches and inspired him in writing his books during his retirement. Mr Pickard also wrote the foreword to the section on Roman animal brooches, op. cit. p.158-160.