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_900x900.jpg "Roman Terracotta Wine Flagon")
_200x200.jpg "Roman Terracotta Wine Flagon")
.jpg "Roman Terracotta Wine Flagon")
LOT 0775
Roman Terracotta Wine Flagon
3RD-4TH CENTURY A.D.
5 1/2 in. (360 grams, 14 cm).
With narrow foot and broad shoulder, biconvex mouth and strap handle. [No Reserve]
ProvenanceEx German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
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AUCTIONS:
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Roman Gold Earrings with Pearls
2nd-3rd century A.D.Sold for (Inc. bp): £1,300
Matched pair, each comprising a tubular shank with hook-and-eye closure, free-running dangle with pearl bead and granule cluster below. 3.94 grams total, 50 mm each
Private collection, 1990s-early 2000s. with Gorny and Mosch, Munich, 14 December 2010, no.160. Accompanied by copies of the Gorny and Mosch catalogue pages. -
Roman Enamelled Bronze Seal Box Collection
1st-2nd century A.D.Sold for (Inc. bp): £111
Including drum-shaped, lozengiform and other types. 37.4 grams total, 22-33 mm
From the private collection of Mr Brian Edwards, New Malden, Surrey, UK, formed from the late 1970s-early 1980s; thence by descent. -
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Roman Marble Left Foot from a Sculpture
2nd century A.D.Sold for (Inc. bp): £3,900
Comprising an elegantly carved lower part of the calf and foot, a detailed rendering of the toes; the proportions suggesting that the subject was a child or a young woman; mounted on a custom-made display stand. 771 grams total, 15 cm high including stand
Nicolas Koutoulakis (1910-1996), thence by descent. Ex Galerie Dominique Thirion, Brussels, 1990s. Private collection of Mr K.A., France. with Kallos Gallery, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13010-246748.
The foot was a prominent feature on sculptures: more susceptible to weathering and the ravages of time than a head or a torso, the fragments that survive are often badly damaged. It is also possible that this piece belonged to a sculpture created via the acrolith technique, in which the sculptor focused his attention solely on the unclothed parts of the figure, which were made from a more valuable material than the rest of the piece.
