Roman Terracotta Wine Flagon

Of fine deep red clay, thin smooth slip on top, a large lioness leaping to right towards a bestiarius (animal fighter) armed with a hunting spear. 274 grams, 22 cm



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

Possibly representing a hunt in the circus, i.e. a gladiatorial combat where bestiarii or venatores attacked wild animals.

Decorated with patterns comprising sphinxes, dolphins, and masks of Medusa in fields between columns, and floral border strips with laurel leaves. 19.75 kg, 90 cm



Acquired 1970s-early 1990s. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11993-209841.

There were many ways of burying bodies during the Roman Empire. Although the majority were buried without coffins, there is evidence for wooden coffins, lead-framed wooden coffins, tile burials and lead and stone coffins. This item belongs to types widespread in the Eastern Mediterranean. The panel is decorated with a columned structure, and within each section are symbols of the outer-world, including gorgons, sphinx and dolphins. The sphinx, having a human head and breasts, legs and paws of a lion, and wings of a bird, was generally associated with protecting imperial tombs and temples. The roundels featuring the head of Medusa, known for her potent gazes that could turn one to stone, was favoured on sarcophagi and architectural ornaments because it was believed that her image would protect those within. The dolphin was considered to ferry the souls of the dead to the afterlife. Very often these sarcophagi were connected by a pipe to the ground above so that mourners could pour in offerings into the grave.

Modelled in the round with wings spread, lines of punched-point feather detailing to the wings and body; attachment lug to the underside. 12.3 grams, 26 mm



Found Suffolk, UK, 1980s. Property of an Essex collector.