Roman Tall Glass Flask with Iridescence

Shallow body with a D-shaped handle at the rear, the edge with a vine-leaf border, two filler holes at the centre flanking a profile bust; an old label at the base reading 'Roman redware terracotta lamp excavated at Thurburbo Major c. 3rd-4th cent AD'. 140 grams, 10.8 cm



Acquired from Vanessa Purcell & Company, Manchester, UK, in 1993. From the collection of Mr & Mrs J.G.W. Lee, late Herefordshire collectors, their collection having been established from the 1990s. Accompanied by a copy of an original sales receipt.

Deep, circular body with volute scrolls flanking the nozzle, concentric circles around the concave discus with radiating petals; maker's mark cross on base. 99 grams, 11.5 cm



From the private collection of Mr Brian Edwards, New Malden, Surrey, UK, formed from the late 1970s-early 1980s; thence by descent. Accompanied by the original collector's data sheet with reference no.A27.

Hexagonal in plan with tall tubular neck and flared and folded rim, disc base with moulding seams; broad sloping shoulder above a sidewall of panels each with a low-relief avian image (bird in flight, bird perching on a branch, etc.). 31 grams, 80 mm



Ex private collection, Israel. Acquired from Archaeological Center, Auction 60, no.204. Private collection. Accompanied by a copy of the relevant Archaeological Center online catalogue page. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12530-232177.

Roman opaque glass attributed to the Sidonian workshops represents one of the most technically sophisticated achievements of early Imperial glassmaking. Produced in the Levant, long a centre of innovation, the workshops at Sidon were renowned for their mastery of colour chemistry, using controlled additions of antimony-and-tin-based opacifiers to create surfaces resembling fine stone or enamel. These vessels were not merely utilitarian objects but markers of status, admired in antiquity for their vibrant hues and precision of manufacture. Examples such as the present piece illustrate the transition of glass from a luxury comparable to carved hardstone to an art form that could be shaped, coloured, and refined with unprecedented freedom, underscoring the pivotal role of Sidon in the evolution of Roman glass technology.