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LOT 2103
Roman Style Bronze Statuette of Victory
20TH CENTURY A.D.
4 5/8 in. (422 grams, 11.8 cm).
Modelled in the round figure of Victory standing on a rectangular base, with a palla draped from her shoulders and hips; wings spread to the rear (one tip absent); arms extended as if supporting a patera or similar item. [No Reserve]
ProvenancePreviously belonging to J Stewart, Mayfair, London, UK; acquired in the early 1980s.
Property of a Middlesex gentleman.
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AUCTIONS:
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LOT 2103
Roman Style Bronze Statuette of Victory
Estimate £20 - 30€23 - 35 (for guidance only)$27 - 41 (for guidance only)
Opening Bid
£5 (EUR 6; USD 7) +BP*
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Renaissance Gemstone and Impression Group
18th century A.D.Estimate: £200 - 300 (+bp*)
Opening Bid: £100
Comprising: a two-tone oval glass intaglio showing a classical fighting scene; an impression of an intaglio showing a scene after a battle at sea with men in water and ships with broken masts. 17.76 grams total, 24-35 mm
Acquired on the European art market. -
Gold Tie Pin with EEN
Circa 1860 A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Formed from a round-section shaft twisted to the centre, an oval bezel with a wide rim and ornate letters 'EEN' under plano-convex crystal in profile; maker's mark 'JB' to the underside, for John Brogden. 7.04 grams, 96 mm
Private collection, Europe. Acquired on the English art market. -
Renaissance Gold Pendant with Agate Gemstone of Cupid
Italy, late 16th-early 17th century A.D.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
Eros shown standing amid the vegetation, his wings and arms spread and holding two short staffs in his hands, clouds and the sun above; set in a gold frame with a conical pendant drop below; supplied with a museum-quality impression. 13.53 grams, 75 mm
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13341-257981.
The cameo shows a Cupid in the same style as the one in the British Museum Sloane collection. Cupid was a very popular motif in 17th-century Italian artistic production. The presence of Cupid on the cameo implies amorous attachment, or sometimes, amorous conflict. The cameo shows a sophisticated atmosphere, relayed in the brown and grey colours.