Roman Statuette of the Goddess Fortuna

A lozengiform plate brooch with sub-circular lugs to each corner and shallow decorative notching along each straight edge, the lugs with a red enamel fill, the centre displaying a millefiori panel composed of square tiles alternating between red squares within a yellow border and a dark blue cross with red centre in a red border; pin lug, pin and catchplate to reverse. 9.52 grams, 27 mm



Ex European collection. Acquired in the mid 1990s. Property of a Harrow, UK, gentleman.

A redware ceramic fragment with moulded low-relief decoration of a victorious Auriga (chariot-driver) standing in his chariot with four rearing horses yoked to it; geometric detail to his tunic, a frond in his bent left arm and a whip in his raised right hand; incised bilinear lettering '-TA' to the left and 'PV- / TO[V?]-' to the right in Greek letters; modern mounting loop to the reverse. 74 grams, 90 mm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

The pottery fragment shows an image of a charioteer in the moment of victory, with his left hand carrying a palm branch. The iconography is visible in the monument of Porphyrios in Constantinople and the charioteers of the Baccano mosaics. The detailed representation of the Auriga shows the attributes of his work: he wears a close-fitting undershirt with sleeves (γυμναστικiον) and an ornamented sleeveless tunic over it, leaving the knees exposed as is typical for charioteers (αυριγαριον).

A carved marble herm boundary marker carved in the round as the bust of an adult male wearing a conical cap and with a full beard; dorsal pillar terminating behind the head. 7.3 kg, 31.5 cm high



French collection, 1960s-early 2000s. From an important Paris gallery, France. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11629-199364.

Possibly an architectural element or herm: herma (Ancient Greek: ἑρμῆς, usually called a 'herm' in English), is a sculptured stone block with a head and often a chest above an undecorated lower section on which male genitals may additionally be carved. From the Neolithic period onwards, in parts of Europe, divinities were worshipped in the form of either a heap of stones (cairn) or a wooden column. Piles of stones were created beside roads and at the borders of fields as they were cleared of pebbles, and religious respect was shown through the custom of each passer-by throwing a stone on the heap or offering a libation. In due course, the addition of a carved head (and phallus) to the column encouraged the belief that these monuments were especially favoured by divinities.