Roman Statuette of a Bound Barbarian Captive

A bronze figure or gaming piece of a nude female in crouching pose with hands placed on the hips, possibly giving birth; the hair shown drawn up in a bun, segmented armband to each upper arm. 30.4 grams, 28 mm high



Private Swiss collection, acquired 2002.

The dice features six attitudes on which it could land when rolled, one of which includes the figure's head. The earliest concrete historical evidence of games played with dice originated from ancient Egypt, circa 3000 B.C., although it is generally believed by historians that dice pre-dated the ancient Egyptian civilisation. The Romans played two games using dice: Tali and Tesserae. The former originated in Greece and features four animal bones. The aim was to roll in such a way that each die displayed a different number-the higher the combined number, the greater the score. The latter was played using three dice, the goal being to roll triple six, or to achieve the highest combined numbers out of the contestants; it was a game of chance and the most common street and tavern gambling game in ancient Rome. ‘Dogs’ referred to poor scores and ‘Venus’ to high ones. Roman players rolled dice from a special cup called a fritillium onto wood, bronze, or marble boards, depending on their class and wealth. Roman elites boasted ornate boards inscribed with their names. The gambling which ensued from dice games caused extreme social issues in Roman society, leading the government to eventually outlaw dice games, although these laws were largely ignored.

A Roman coin mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 61/1150. 1.25 kg, 49 x 36 cm



Essex gallery, early 2000s.

David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.

A bronze key composed of a tapering shaft with hatched and notched detailing, finial in the form of a bust with stylised facial detailing, rectangular openwork ward; perforated through the finial for suspension. 30.7 grams, 79 mm



Acquired before 2000. From the collection of a European gentleman living in the UK.